“No money!” cried Skene. “I know them as’ll make up fifty pound before
twelve to-morrow for any man as I will answer for. There’d be a start
for a young man! Why, my fust fight was for five shillings in Tott’nam
Fields; and proud I was when I won it. I don’t want to set you on to
fight a crack like Sam Ducket anyway against your inclinations; but
don’t go for to say that money isn’t to be had. Let Ned Skene pint to a
young man and say, ‘That’s the young man as Ned backs,’ and others will
come for’ard--ay, crowds of ‘em.”
The novice hesitated. “Do you think I ought to, Ned?” he said.
“That ain’t for me to say,” said Skene, doggedly. “I know what I would
ha’ said at your age. But perhaps you’re right to be cautious. I tell
you the truth, I wouldn’t care to see you whipped by the like of Sam
Ducket.”
“Will you train me if I challenge him?”
“Will I train you!” echoed Skene, rising with enthusiasm. “Ay will I
train you, and put my money on you, too; and you shall knock fireworks
out of him, my boy, as sure as my name’s Ned Skene.”
“Then,” cried the novice, reddening with excitement, “I’ll fight him.
And if I lick him you will have to hand over your belt as champion of
the colonies to me.”
“So I will,” said Skene, affectionately. “Don’t out late; and don’t for
your life touch a drop of liquor. You must go into training to-morrow.”
This was Cashel Byron’s first professional engagement.
CHAPTER I
Wiltstoken Castle was a square building with circular bastions at the
corners, each bastion terminating skyward in a Turkish minaret. The
southwest face was the front, and was pierced by a Moorish arch fitted
with glass doors, which could be secured on occasion by gates of
fantastically hammered iron. The arch was enshrined by a Palladian
portico, which rose to the roof, and was surmounted by an open pediment,
in the cleft of which stood a black-marble figure of an Egyptian, erect,
and gazing steadfastly at the midday sun. On the ground beneath was
an Italian terrace with two great stone elephants at the ends of the
balustrade. The windows on the upper story were, like the entrance,
Moorish; but the principal ones below were square bays, mullioned.
The castle was considered grand by the illiterate; but architects and
readers of books on architecture condemned it as a nondescript
mixture of styles in the worst possible taste. It stood on an eminence
surrounded by hilly woodland, thirty acres of which were enclosed as
Wiltstoken Park. Half a mile south was the little town of Wiltstoken,
accessible by rail from London in about two hours.
Public-domain text, read in full here on John Shaqi.
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