“They say,” said Alice, “that her husband is very jealous, and that she
leads him a terrible life.”
“THEY SAY anything that brings gifted people to the level of their own
experience. Doubtless they are right. I have not met Mr. Herbert, but I
have seen his pictures, which suggest that he reads everything and sees
nothing; for they all represent scenes described in some poem. If
one could only find an educated man who had never read a book, what a
delightful companion he would be!”
When the concert was over they did not return directly to town, as Lydia
wished to walk awhile in the gardens. In consequence, when they left
Sydenham, they got into a Waterloo train, and so had to change at
Clapham Junction. It was a fine summer evening, and Alice, though she
thought that it became ladies to hide themselves from the public in
waiting-rooms at railway stations, did not attempt to dissuade Lydia
from walking to and fro at an unfrequented end of the platform, which
terminated in a bank covered with flowers.
“To my mind,” said Lydia, “Clapham Junction is one of the prettiest
places about London.”
“Indeed!” said Alice, a little maliciously. “I thought that all artistic
people looked on junctions and railway lines as blots on the landscape.”
“Some of them do,” said Lydia; “but they are not the artists of our
generation; and those who take up their cry are no better than parrots.
If every holiday recollection of my youth, every escape from town
to country, be associated with the railway, I must feel towards it
otherwise than did my father, upon whose middle age it came as a
monstrous iron innovation. The locomotive is one of the wonders of
modern childhood. Children crowd upon a bridge to see the train pass
beneath. Little boys strut along the streets puffing and whistling in
imitation of the engine. All that romance, silly as it looks, becomes
sacred in afterlife. Besides, when it is not underground in a foul
London tunnel, a train is a beautiful thing. Its pure, white fleece of
steam harmonizes with every variety of landscape. And its sound! Have
you ever stood on a sea-coast skirted by a railway, and listened as the
train came into hearing in the far distance? At first it can hardly be
distinguished from the noise of the sea; then you recognize it by its
vibration; one moment smothered in a deep cutting, and the next sent
echoing from some hillside. Sometimes it runs smoothly for many minutes,
and then breaks suddenly into a rhythmic clatter, always changing
in distance and intensity. When it comes near, you should get into a
tunnel, and stand there while it passes. I did that once, and it was
like the last page of an overture by Beethoven--thunderingly impetuous.
I cannot conceive how any person can hope to disparage a train
by comparing it with a stage-coach; and I know something of
stage-coaches--or, at least, of diligences. Their effect on the men
employed about them ought to decide the superiority of steam without
further argument.
Public-domain text, read in full here on John Shaqi.
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