“You think it’s nonsense, do you?” said Cashel, after a pause. Then he raised one of the candles, and illuminated a picture that hung on the wall, “Look at that picture,” he said. “You see that fellow in armor--St. George and the dragon, or whatever he may be. He’s jumped down from his horse to fight the other fellow--that one with his head in a big helmet, whose horse has tumbled. The lady in the gallery is half crazy with anxiety for St. George; and well she may be. THERE’S a posture for a man to fight in! His weight isn’t resting on his legs; one touch of a child’s finger would upset him. Look at his neck craned out in front of him, and his face as flat as a full moon towards his man, as if he was inviting him to shut up both his eyes with one blow. You can all see that he’s as weak and nervous as a cat, and that he doesn’t know how to fight. And why does he give you that idea? Just because he’s all strain and stretch; because he isn’t at his ease; because he carries the weight of his body as foolishly as one of the ladies here would carry a hod of bricks; because he isn’t safe, steady, and light on his pins, as he would be if he could forget himself for a minute, and leave his body to find its proper balance of its own accord. If the painter of that picture had known his business he would never have sent his man up to the scratch in such a figure and condition as that. But you can see with one eye that he didn’t understand--I won’t say the principles of fighting, but the universal principles that I’ve told you of, that ease and strength, effort and weakness, go together. Now,” added Cashel, again addressing Lucian; “do you still think that notion of mine nonsense?” And he smacked his lips with satisfaction; for his criticism of the picture had produced a marked sensation, and he did not know that this was due to the fact that the painter, Mr. Adrian Herbert, was present. Lucian tried to ignore the question; but he found it impossible to ignore the questioner. “Since you have set the example of expressing opinions without regard to considerations of common courtesy,” he said, shortly, “I may say that your theory, if it can be called one, is manifestly absurd.” Cashel, apparently unruffled, but with more deliberation of manner than before, looked about him as if in search of a fresh illustration. His glance finally rested on the lecturer’s seat, a capacious crimson damask arm-chair that stood unoccupied at some distance behind Lucian.