Castara: The Third Edition of 1640; Edited and Collated with the Earlier Ones of 1634, 1635 — John Shaqi
Castara: The Third Edition of 1640; Edited and Collated with the Earlier Ones of 1634, 1635Habington, William
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Castara: The Third Edition of 1640; Edited and Collated with the Earlier Ones of 1634, 1635
Habington, William
English poetry -- Early modern, 1500-1700; Love poetry, English
_Is the fairest treasure, the avarice of Love can covet; and the onely
white, at which he shootes his arrowes, nor while his aime is noble,
can he ever hit upon repentance. She is chaste, for the devill enters
the Idoll and gives the Oracle, when wantonnesse possesseth beauty,
and wit maintaines it lawfull. She is as faire as Nature intended her,
helpt perhaps to a more pleasing grace by the sweetnesse of education,
not by the flight of Art. She is young, for a woman past the delicacie
of her spring, may well move by vertue to respect, never by beauty
to affection. Shee is innocent even from the knowledge of sinne, for
vice is too strong to be wrastled with, and gives her frailty the
foyle. She is not proude, though the amorous youth interpret her
modestie to that sence; but in her vertue weares so much Majestie,
lust dares not rebell, nor though masqued, under the pretence of love,
capitulate with her. She entertaines not every parley offer'd, although
the Articles pretended to her advantage: advice and her own feares
restraine her, and woman never owed ruine to too much caution. She
glories not in the plurality of servants, a multitude of adorers heaven
can onely challenge, and it is impietie in her weakenesse to desire
superstition from many. She is deafe to the whispers of love, and even
on the marriage houre can breake off, without the least suspition of
scandall, to the former liberty of her carriage. She avoydes a too
neere conversation with man, and like the Parthian overcomes by flight.
Her language is not copious but apposit, and she had rather suffer the
reproach of being dull company, than have the title of Witty, with
that of Bold and Wanton. In her carriage she is sober, and thinkes
her youth expresseth life enough, without the giddy motion, fashion of
late hath taken up. She danceth to the best applause but doates not
on the vanity of it, nor licenceth an irregular meeting to vaunt the
levity of her skill. She sings, but not perpetually, for she knowes,
silence in woman is the most perswading oratory. She never arriv'd to
so much familiarity with man as to know the diminutive of his name, and
call him by it; and she can show a competent favour: without yeelding
her hand to his gripe. Shee never understood the language of a kisse,
but at salutation, nor dares the Courtier use so much of his practised
impudence as to offer the rape of it from her: because chastity hath
writ it unlawfull, and her behaviour proclaimes it unwelcome. She is
never sad, and yet not jiggish; her conscience is cleere from guilt,
and that secures her from sorrow. She is not passionately in love
with poetry, because it softens the heart too much to love; but she
likes the harmony in the Composition; and the brave examples of vertue
celebrated by it, she preposeth to her imitation. She is not vaine in
the history of her gay kindred or acquaintance; since vertue is often
tenant to a cottage, and familiarity with greatnesse (if worth be not
Public-domain text, read in full here on John Shaqi.
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