The following additional information concerning Chapparbands is contained in the Illustrated Criminal Investigation and Law Digest [13]:--"They travel generally in small gangs, and their women never follow them. They consult omens before leaving their villages. They do not leave their villages dressed as fakirs. They generally visit some place far away from their residence, and there disguise themselves as Madari fakirs, adding Shah to their names. They also add the title Sahib, and imitate the Sawals, a sing-song begging tone of their class. Their leader, Khagda, is implicitly obeyed. He is the treasurer of the gangs, and keeps with him the instruments used in coining, and the necessary metal pieces. But the leader rarely keeps the coins with him. The duty of passing the false coins belongs to the Bhondars. A boy generally accompanies a gang. He is called Handiwal. He acts as a handy chokra (youngster), and also as a watch over the camp when the false coins are being prepared. They generally camp on high ground in close vicinity to water, which serves to receive the false coins and implements, should danger be apprehended. When moving from one camp to another, the Khagda and his chokra travel alone, the former generally riding a small pony. The rest of the gang keep busy passing the coins in the neighbourhood, and eventually join the pair in the place pre-arranged. If the place be found inconvenient for their purpose, another is selected by the Khagda, but sufficient indication is given to the rest that the rendezvous might be found out. This is done by making a mark on the chief pathway leading to the place settled first, at a spot where another pathway leads from it in the direction he is going. The mark consists of a mud heap on the side of the road, a foot in length, six inches in breadth, and six in height, with an arrow mark pointing in the direction taken. The Khagda generally makes three of these marks at intervals of a hundred yards, to avoid the chance of any being effaced. Moulds are made of Multani or some sticky clay. Gopichandan and badap are also used. The clay, after being powdered and sifted, is mixed with a little water and oil, and well kneaded. The two halves of the mould are then roughly shaped with the hand, and a genuine coin is pressed between them, so as to obtain the obverse on one half and the reverse impression on the other. The whole is then hardened in an extempore oven, and the hole to admit the metal is bored, so as to admit of its being poured in from the edge. The halves are then separated, and the genuine rupee is tilted out; the molten alloy of tin or pewter is poured in, and allowed to cool. According to the other method, badap clay brought from their own country is considered the most suitable for the moulds, though Multani clay may be used when they run out of badap. Two discs are made from clay kneaded with water. These discs are then highly