Castes and Tribes of Southern India. Vol. 3 of 7Thurston, Edgar
History
Castes and Tribes of Southern India. Vol. 3 of 7
Thurston, Edgar
Caste -- India, South; Ethnology -- India, South; India, South -- Social life and customs; Tribes -- India, South
watching everything with their sharp black eyes. The hitherto quiet
buffalo, who for nearly two days had been without food and water, now
began to get excited, and, straining at its tether, plunged and butted
at the dancers, catching one man neatly on the nose so that the blood
flowed copiously. However, the Khonds were too excited to care, and
circled round and round the poor maddened brute, singing and blowing
horns into its ears, beating drums, and every now and then offering it
cakes brought with them from their villages, and then laying them on
the top of the post as offerings. As they thus madly careered about,
we had ample time to note their extraordinary costumes. One man had
somehow got hold of an old blue Police overcoat, which he had put
on inside out, and round his waist he had gathered what seemed to
be a number of striped tent carpets, forming a stiff ballet skirt or
kilt. He was one of the most athletic in spinning round the buffalo,
flourishing a kitchen chopper. Another man's costume consisted of
almost nothing at all. He had, however, profusely daubed his body
with white and black spots, and on his head he had centred all his
decorative genius. The head in question was swathed in yards of cloth,
terminating at the back in a perfect cascade of cock's feathers. He
excitedly waved over this erection an ancient and very rusty umbrella,
with many ventilations, with streamers of white cloth attached to the
top. Others had tied on to their heads with bands of cloth the horns
of buffaloes, or brass horns made in imitation of those of the spotted
deer. Their long, black and curly hair hung in masses from beneath
this strange erection, giving them a most startling appearance. The
dancing round the buffalo lasted quite two hours, as they were waiting
for the arrival of the Patro, before concluding the final ceremonies,
and the great man was fashionably late. To incite their jaded energies
to further terpsichorean efforts, from time to time the dancers drank
copious draughts of a kind of beer, used specially on these occasions,
and made from kukuri, a species of grain. At last, the long expected
Patro arrived with the usual uproar of many deafening sounds, both
artificial and natural, and with the waving of green boughs. On this
occasion he walked last, while the whole of his retinue preceded
him dancing, headed by an ancient and withered hag, carrying on
her shoulders a Maliah drum of cow-hide stretched tightly over a
hoop of iron, and vigorously beaten from behind her by a Khond with
stiff thongs of dried leather. The great man himself walked sedately,
followed by his 'charger,' a broken-kneed tat (pony), extraordinarily
caparisoned, and led by a youth of tender years, whose sole garment
consisted of a faded red drummer's coat of antiquated cut. As soon as
the Patro had seated himself comfortably on a log near the dancers, a
change came over the scene. The hitherto shouting and madly revolving
Public-domain text, read in full here on John Shaqi.
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