Castes and Tribes of Southern India. Vol. 6 of 7Thurston, Edgar
History
Castes and Tribes of Southern India. Vol. 6 of 7
Thurston, Edgar
Caste -- India, South; Ethnology -- India, South; India, South -- Social life and customs; Tribes -- India, South
stage, one piece boils, and is placed in a new earthen pot, with the
addition of the water of nine green cocoanuts. The pot is removed
to the burial-ground. The Panan performs a puja here in favour of
his favourite deity. Here he fixes two poles deep in the earth,
at a distance of thirty feet from each other.
The poles are connected by a strong wire, from which is suspended
the pot to be heated and boiled. Seven fire-places are made, beneath
the wire. The branches of bamboo, katalati (Achyranthes Emblica),
conga (Bauhinea variegata), cocoanut palm, jack tree (Artocarpus
integrifolia), and pavatta (Pavatta indica), are used in forming a
bright fire. The mixture in the pot soon boils and becomes oily, at
which stage it is passed through a fine cloth. The oil is preserved,
and a mark made with it on the forehead enables the possessor to
realise anything that is thought of. The sorcerer must be in a state
of vow for twenty-one days, and live on a diet of chama kanji. The
deity, whose aid is necessary, is propitiated with offerings.
"One of the ceremonies which the Panans perform is called Thukil
Onarthuka (waking thukil, a kind of drum). In the month of Karkadakam
(July-August), a Panan, with his wife, provided with a drum and
kuzhithalam (circular bell-metal cymbals), goes to the houses of
Brahmans and Nayars after midnight, and sings sacred songs. During the
week, they sing standing underneath a banyan tree near the western
gate of the Trichur temple. From the temple authorities they get
five measures of paddy, half a measure of rice, some gingelly oil,
and a cocoanut. For their services in other houses, they receive a
similar remuneration. This is intended to drive evil spirits, if any,
from houses. Another of their festivals is known as Panan Kali. The
traditional account therefor is as follows. Once, when a Panan and
his wife went to a forest to bring bamboos for the manufacture of
umbrellas, they missed their way, night approached, and they could not
return. They began to be frightened by the varieties of noise heard
by them in the wilderness. They collected pieces of dry bamboo and
leaves of trees, and burned them. In the presence of the light thus
obtained, the woman caught hold of a creeper hanging from a tree,
and danced in honour of Bhagavathi, while her husband sang songs
praising her. The day dawned at last, and they found their way home
in safety. In memory of this incident, the Panans organise a party
for a regular play. There are ten male and two female actors, and
the play is acted during the whole night.
Public-domain text, read in full here on John Shaqi.
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