At length the blast of a trumpet announces the clearing of the ring. The idlers who have been lounging in the arena are swept out by the alguaciles, and the hum of conversation gives way to an expectant silence. When the last loafer has reluctantly retired, the great gate is thrown open, and the procession of the toreros enters. They advance in a glittering line: first the marshals of the day, then the picadors on horseback, then the matadors on foot surrounded each by his quadrille of chulos. They walk towards the box which holds the city fathers, under whose patronage the show is given, and formally salute the authority. This is all very classic, also, recalling the _Ave Caesar, morituri,_ etc., of the gladiators. It lacks, however, the solemnity of the Roman salute, from those splendid fellows who would never all leave the arena alive. A bullfighter is sometimes killed, it is true, but the percentage of deadly danger is scarcely enough to make a spectator's heart beat as the bedizened procession comes flashing by in the sun. The municipal authority throws the bowing alguacil a key, which he catches in his hat, or is hissed if he misses it. With this he unlocks the door through which the bull is to enter, and then scampers off with undignified haste through the opposite entrance. There is a bugle flourish, the door flies open, and the bull rushes out, blind with the staring light, furious with rage, trembling in every limb. This is the most intense moment of the day. The glorious brute is the target of twelve thousand pairs of eyes. There is a silence as of death, while every one waits to see his first movement. He is doomed from the beginning; the curtain has risen on a three-act tragedy, which will surely end with his death, but the incidents which are to fill the interval are all unknown. The minds and eyes of all that vast assembly know nothing for the time but the movements of that brute. He stands for an instant recovering his senses. He has been shot suddenly out of the darkness into that dazzling light. He sees around him a sight such as he never confronted before,--a wall of living faces lit up by thousands of staring eyes. He does not dwell long upon this, however; in his pride and anger he sees a nearer enemy. The horsemen have taken position near the gate, where they sit motionless as burlesque statues, their long ashen spears, iron-tipped, in rest, their wretched nags standing blindfolded, with trembling knees, and necks like dromedaries, not dreaming of their near fate. The bull rushes, with a snort, at the nearest one. The picador holds firmly, planting his spear-point in the shoulder of the brute. Sometimes the bull flinches at this sharp and sudden punishment, and the picador, by a sudden turn to the left, gets away unhurt. Then there is applause for the torero and hisses for the bull. Some indignant amateurs go so far as to call him cow, and to inform him that he is the son of his mother. But oftener he rushes in,