Abduction -- Fiction; Americans -- Europe -- Fiction; Love stories
“Don't give up, Phil. If you are to win, it will take more courage
than you are showing now. A bold front will do more than anything
else just at this stage. The result depends not entirely on how
eager she is to become a princess, but how much she cares for the
man who cannot make her a princess.”
“There's the rub. Does she care enough for me?”
“Have you asked her how much she cares?”
“No.”
“Then, don't ask. Merely go and tell her that you know how much she
cares. Go this afternoon, old man. O, by the way, Lady Jane sends
her love to you, and wants to know if you will come with me to
Ostend to-morrow to meet her and Lady Saxondale.”
XVI. THE COURAGE OF A COWARD
“Tell Mr. Quentin I cannot see him,” was Miss Garrison's response
when his card was sent to her late that afternoon. The man who
waited nervously in the hall was stunned by this brief, summary
dismissal. If he was hurt, bewildered by the stinging rebuff, his
wounds would have been healed instantly had he seen the sender of
that cruel message. She sat, weak, pale and distressed, before her
escritoire, striving to put her mind and her heart to the note she
was writing to him whose card, by strange coincidence, had just come
up. An hour ago he was in her thoughts so differently and he was in
her heart, how deeply she had not realized, until there came the
crash which shattered the ideal. He was a coward!
Prince Ugo had been out of her presence not more than ten minutes,
leaving her stunned, horrified, crushed by the story he laughingly
told, when Quentin was announced. What she heard from Ugo
overwhelmed her. She had worshiped, unknown to herself, the very
thing in Philip Quentin that had been destroyed almost before her
eyes--his manliness, his courage, his strength. Ugo deliberately
told of the duel in his rooms, of Savage's heroism in taking up the
battles of his timorous friend, of his own challenge in the morning,
and of Quentin's abject, cringing refusal to fight. How deliciously
he painted the portrait of the coward without exposing his true
motive in doing so, can only be appreciated when it is said that
Dorothy Garrison came to despise the object of his ridicule.
She forgot his encounter with the porch visitor a fortnight
previous; she forgot that the wound inflicted on that occasion was
scarcely healed; she forgot all but his disgraceful behavior in the
presence of that company of nobles and his cowardice when called to
account by one brave man. And he an American, a man from her own
land, from the side of the world on which, she had boasted, there
lived none but the valorous. This man was the one to whom, a week
ago, she had personally addressed an invitation to the wedding in
St. Gudule--the envelope was doubtless in his pocket now, perhaps
above his heart--and the writing of his name at that time had
brought to her the deadly, sinking realization that he was more to
her than she had thought.
Public-domain text, read in full here on John Shaqi.
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