“Well, he lied, that's all. I am positive he's the man, and the best proof in the world is the certainty that he remembers me. Of course he denies it, but you know what he said when I first asked him if we had met. He was the tenor in Pagani's opera company, and he sang in several of the big South American cities. They were in Rio Janeiro for weeks, and we lived in the same hotel. There's no mistake about it, old man. This howling swell of to-day was Pagani's tenor, and he was a good one, too. Gad, what a Romeo he was! Imagine him in the part, Bob. Lord, how the women raved about him!” “I say, Phil, don't be ass enough to tell anybody else about this, even if you're cocksure he's the man. He was doubtless driven to the stage for financial reasons, you know, and it wouldn't be quite right to bring it up now if he has a desire to suppress the truth. Since he has come into the title and estates it might be deuced awkward to have that sort of a past raked up.” “I should say it would be awkward if that part of his past were raked up. He wasn't a Puritan, Bob.” “They are a bit scarce at best.” “He was known in those days as Giovanni Pavesi, and he wasn't in such dire financial straits, either. It was his money that backed the enterprise, and it was common property, undenied by him or anyone else, that the chief object in the speculation was the love of the prima donna, Carmenita Malban. And, Bob, she was the most beautiful woman I ever saw. The story was that she was a countess or something of the sort. Poverty forced her to make use of a glorious voice, and the devil sent Pagani to young Pavesi, who was then a student with some ripping big master, in the hope that he would interest the young man in a scheme to tour South America. It seems that Signorita Malban's beauty set his heart on fire, and he promptly produced the coin to back the enterprise, the only condition being that he was to sing the tenor roles. All this came out in the trial, you know.” “The trial! What trial?” “Giovanni's. Let me think a minute. She was killed on the 29th of March, and he was not arrested until they had virtually convicted one of the chorus men of the murder. Pagani and Pavesi quarrelled, and the former openly accused his 'angel' of the crime. This led to an arrest just as the tenor was getting away on a ship bound for Spain.” “Arrested him for the murder of the woman? On my life, Quentin, you make a serious blunder unless you can prove all this. When did it all happen?”