Abduction -- Fiction; Americans -- Europe -- Fiction; Love stories
“No!” she cried, recovering herself with a mighty effort. “Listen! I
did love you--yes, I loved you--until to-day. You filled me with
your old self, you conquered and I was grieving myself to madness
over it all. But, I do not love you now! You must go! I do not
believe what you have said of him and I despise you! Go!”
“Dorothy!” he cried, as she sped past him. “Think what you are
saying!”
“Good-by! Go! I hate you!” she cried, and was gone. For a moment he
stood as if turned to stone. Then there came a rush of glad life to
his heart and he could have shouted in his jubilance.
“God, she loves me! I was not too late! She shall be mine!” He
dashed into the house, but the closing of a door upstairs told him
she was beyond his reach. The hall was empty; Mrs. Garrison was
nowhere to be seen. Filled with the new fire, the new courage, he
clutched his hat from the chair on which he had thrown it and rushed
forth into the night.
At the top of the steps he met Prince Ugo. The two men stopped
stockstill, within a yard of each other, and neither spoke for the
longest of minutes.
“You call rather late, prince,” said Phil, a double meaning in his
words.
“Dog!” hissed the prince.
“Permit me to inform you that Miss Garrison has retired. It will
save you the trouble of ringing. Good-night.”
He bowed, laughed sarcastically, and was off down the steps.
Ravorelli's hand stole to an inside pocket and a moment later the
light from the window flashed on a shining thing in his fingers. He
did not shoot, but Quentin never knew how near he was to death at
the hand of the silent statue that stood there and watched him until
he was lost in the shadows. Then the prince put his hand suddenly to
his eyes, moaned as if in pain, and slowly descended the steps.
XVII. A FEW MEN AND A WOMAN
A stealthy figure joined his highness at the foot of the steps,
coming from the darkness below the veranda. It was Courant. What he
said to the prince when they were safely away from the house caused
the Italian's face to pale and his hands to twitch with rage. The
French detective had heard and understood the conversation of the
man and woman on the porch, and he had formed conclusions that drove
all doubt from the mind of the noble lover.
Public-domain text, read in full here on John Shaqi.
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