Épinac, just to the west of La Rochepot, is in the heart of a veritable "black country"; not the "black country" of the Midlands in England, but a more picturesque region, where the soot and grime of coal and its products mingle by turns with the brilliancy of foliage green and gold. In addition to drawing its fame from the mines roundabout, Épinac owes not a little of its distinction to its chateau, and a neighbouring Chateau de Sully which dates from the sixteenth century. The Chateau de Sully is a magnificent edifice built in 1567 for the Maréchal de Saulx-Tavannes, and is to-day classed by the French government as a "monument historique." It was built from the plans of Ribbonnier, a celebrated architect of Langres in the sixteenth century, and terminated only in the reign of Henri IV. It is an excellent type of the French Renaissance of the latter half of the sixteenth century. In form it is a vast rectangle with square _pavilions_, or towers, at each angle set diagonally. Though varied, its architecture is sober to a degree, particularly with respect to the _rez-de-chaussée_. The inner court of this admirable chateau is surrounded by an arcaded gallery whose rounded arches are separated by a double colonnette. The gardens are of the "jardin anglais" variety, so affected by the French at the time of the completion of the chateau, and are cut and crossed by many arms of the ornamental water which entirely surrounds the property. After the tenure of the family of Tavannes, the property passed to those of Rabutin and Montaigu, and, for the last century, has been owned by the MacMahons. There are some fragments lying about which belong to another edifice which dates from the thirteenth century, but not enough to give the stones the distinction of being called even a ruined chateau. Épinac's chateau dates from at least two centuries before the Chateau de Sully, and is a resurrection of an old chateau-fort. Two great heavy towers remain to-day as the chief architectural features, beside an extent of main building through whose walls are cut a series of splendid Gothic window frames. Tradition has it that these towers were originally much more lofty, but at the period when barons, whether rightly or wrongly, held their sway over their peers and anyone else who might be around, if the local seigneur was beaten at a tourney, the penalty he paid was to cut the towers of his castle down one-half. This seems a good enough tale to tack to a mediæval castle, as good as a ghost tale, and as satisfactory as if it were a recorded fact of history, instead of mere legend. [Illustration: _Chateau de Sully_] Originally these towers of the Chateau d'Épinac were of such an overwhelming height that they could be seen a hundred leagues around--this is local tradition again, and this time it is probably exaggeration. Three hundred miles is a long bird's-eye view indeed! Anyway a local couplet reads thus, and is seemingly justifiable: