Louis endowed the church at Cléry, and the edifice was built in the fine flamboyant style of the period, just previous to his death, which De Commines gives as "_le samedy pénultième jour d'Aoust, l'an mil quatre cens quatre-vingtz et trois, à huit heures du soir_." Louis XI. was buried here, and the chief "sight" is of course his tomb, beside which is a flagstone which covers the heart of Charles VIII. The Chapelle St. Jacques, within the church, is ornamented by a series of charming sculptures, and the Chapelle des Dunois-Longueville holds the remains of the famous ally of Jeanne d'Arc and members of his family. In the choir is the massive oaken statue of Our Lady of Cléry (thirteenth century); the very one before which Louis made his vows. There is some old glass in the choir and a series of sculptured stalls, which would make famous a more visited and better known shrine. There is a fine sculptured stone portal to the sacristy, and within there are some magnificent old _armoires_, and also two chasubles, which saw service in some great church, perhaps here, in the times of Louis himself. The "Maison de Louis XI.," near the church, is a house of brick, restored in 1651, and now--or until a very recent date--occupied by a community of nuns. In the Grande Rue is another "Maison de Louis XI.;" at least it has his cipher on the painted ceiling. It is now occupied by the Hôtel de la Belle Image. Those who like to dine and sleep where have also dined and slept royal heads will appreciate putting up at this hostelry. [Illustration: _The Loire at Meung_] Meung-sur-Loire was the birthplace of Jehan Clopinel, better known as Jean de Meung, who continued Guillaume de Lorris's "Roman de la Rose," the most famous bit of verse produced by the _trouvères_ of the thirteenth century. The voice of the troubadour was soon after hushed for ever, but that thirteenth-century masterwork--though by two hands and the respective portions unequal in merit--lives for ever as the greatest of its kind. In memory of the author, Meung has its Rue Jehan de Meung, for want of a more effective or appealing monument. Dumas opens the history of "Les Trois Mousquétaires" with the following brilliantly romantic lines anent Meung: "_Le premier lundi du mois d'Avril, 1625, le bourg de Meung, où naquit l'auteur du 'Roman de la Rose.'_" (One of the authors, he should have said, but here is where Dumas nodded, as he frequently did.) Continuing, one reads: "The town was in a veritable uproar. It was as if the Huguenots were up in arms and the drama of a second Rochelle was being enacted." Really the description is too brilliant and entrancing to be repeated here, and if any one has forgotten his Dumas to the extent that he has forgotten D'Artagnan's introduction to the hostelry of the "Franc Meunier," he is respectfully referred back to that perennially delightful romance.