Catalogue of a collection of early drawings and pictures of London: With some contemporary furniture — John Shaqi
Catalogue of a collection of early drawings and pictures of London: With some contemporary furnitureBurlington Fine Arts Club
History
Catalogue of a collection of early drawings and pictures of London: With some contemporary furniture
Burlington Fine Arts Club
Art -- Exhibitions; London (England) -- Pictorial works -- Catalogs
42_b_ ST. JAMES’S PALACE AND THE MALL.
Watercolour. 16¾ by 8¾ in.
In the distance is the steeple of St. Martin’s-in-the-Fields. Deer
can be seen in the open ground to right.
By J. MAURER, 1741.
_Lent by H.M. the King._
43 ST. MARY-LE-BONE CHURCH.
Watercolour. 6½ by 4 in.
The new church built in 1813-4. A rural scene, in the foreground are
trees and a pond.
By J. VARLEY (1778-1842).
_Lent by Mr. J. P. Heseltine._
44 SALE OF BOOKS BY AUCTION AT SOTHEBY’S.
Watercolour. 9¼ by 5¾ in.
Drawn with a pen and tinted after Rowlandson’s usual manner.
We are fortunate in exhibiting caricatures of auction sales by two
historic firms, both still flourishing. Sotheby’s began in 1744
with Mr. Samuel Baker, who at first held sales in taverns and other
convenient places. In 1754 he established himself at York Street,
Covent Garden, and in 1767 formed a partnership with Mr. J. Leigh.
In 1778 the firm became Leigh and Sotheby. We need only add that in
1804 the business was moved to 145 Strand, and in 1818 to 3 Waterloo
Bridge, re-named 13 Wellington Street, which was given up two years
ago for more commodious quarters in New Bond Street.
By T. ROWLANDSON (1756-1827).
_Lent by Messrs. Sotheby, Wilkinson, and Hodge._
PLATE XX. 45 SITE OF EUSTON SQUARE, 1809.
Watercolour. 9¾ by 8½ in.
Signed “T. Rowlandson.” Written in pencil, but hidden, are the words:
“Richard Trevithick’s Railroad, Euston Square 1809.” In fact, the
Square dates only from 1825; as late as 1820 its site was a large
nursery garden, and a group of farm buildings occupied ground on which
the London and North Western Railway now stands. Trevithic, “father
of the locomotive engine,” the main facts of whose remarkable career
are recorded in “Dict. Nat. Biog.,” must have hired the ground in
order to test and exhibit his invention.
In the distance is Primrose Hill, with Hampstead beyond. Attractive
design and colour give charm to a subject not easy of treatment.
Rowlandson, trained in Paris and at the Academy schools, was an
accomplished artist, capable of something much more refined than his
clever caricatures, which most people know by coarse reproductions
of them.
By T. ROWLANDSON, 1809 (1756-1827).
_Lent by Mr. H. C. Levis._
46 SALE OF PICTURES BY AUCTION AT CHRISTIE’S.
Watercolour. 11¼ by 8¼ in.
The firm owes its origin to a notable man, James Christie, who issued
his first catalogue in 1766. A portrait of him, painted by his friend
Gainsborough, originally a good advertisement of the skill of the
artist, was long hanging in the “great auction rooms” on the south side
of Pall Mall, where Christie took up his quarters, next to Schomberg
House. It was afterwards at the present address, No. 8 King Street,
St. James’s, to which the firm moved in 1824. They now only have an
engraving of it. Rowlandson drew another caricature of an auction
sale at Christie’s.
By T. ROWLANDSON (1756-1827).
_Lent by Messrs. Christie, Manson, and Woods._
Public-domain text, read in full here on John Shaqi.
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