Catalogue of a collection of early drawings and pictures of London: With some contemporary furnitureBurlington Fine Arts Club
History
Catalogue of a collection of early drawings and pictures of London: With some contemporary furniture
Burlington Fine Arts Club
Art -- Exhibitions; London (England) -- Pictorial works -- Catalogs
As already implied by the titles, there were two Thomas Maltons,
father and son, and it is sometimes difficult to distinguish their
work. The father (1726-1801) exhibited London views at the Royal
Academy in 1772 and 1774. He taught perspective. His watercolours, as
a rule, were what were known as “tinted drawings,” begun in Indian
ink. The son (1748-1804) received a premium at the Royal Society of
Arts in 1774, and a gold medal at the Royal Academy in 1782. In 1792
he published “A Picturesque Tour through the Cities of London and
Westminster containing a hundred aquatints.” He also exhibited London
views at the Royal Academy.
By T. MALTON the Younger (1748-1804).
_Lent by the Secretary of State for India._
65 THE GENERAL COURT-ROOM, EAST INDIA HOUSE.
Watercolour. 7¾ by 5¾ in.
_Lent by the Secretary of State for India._
66 THE DIRECTORS’ COURT-ROOM, EAST INDIA HOUSE.
Watercolour. 8¾ by 6 in.
Shows the two high chairs here exhibited.
_Lent by the Secretary of State for India._
PLATE XXVII. 67 SADLER’S WELLS.
Oil picture. 15 by 10¾ in.
Sadler’s Wells, between the New River Head and St. John Street Road,
Islington, was so called from a spring of mineral water discovered
there by a man named Sadler, who in 1683 opened a music-room connected
with it. In course of time rope dancing, tumbling, pantomime, and
other entertainments took place there. About 1790 it became a theatre,
being still among fields. The New River flowed by, and water was
introduced from it to a large tank beneath the floor of the stage—used
for naval spectacles, etc.
Here in 1832 T. P. Cooke made his first appearance as William in
“Black-Eyed Susan.” The theatre fell into disrepute, but was revived
by Phelps who, 1844-62, made it “the home of the legitimate drama.”
Closed for some years, it was rebuilt in 1879, and for a short time
was under the management of Mrs. Bateman. This picture agrees with
the view of the old house in Wilkinson’s “Londina Illustrata.”
By R. C. ANDREWS, 1792.
_Lent by the Hon. Lady Lyttelton._
PLATE XXVIII. 68 GREEN PARK, 1760.
Oil picture. 50 by 31 in.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account