Catalogue of a collection of early drawings and pictures of London: With some contemporary furnitureBurlington Fine Arts Club
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Catalogue of a collection of early drawings and pictures of London: With some contemporary furniture
Burlington Fine Arts Club
Art -- Exhibitions; London (England) -- Pictorial works -- Catalogs
By D. COX, 1825 (1783-1859).
_Lent by the Birmingham Art Gallery._
114 THE TEMPLE STAIRS.
Watercolour. 23½ by 15¼ in.
The above is the title given to this painting by Mr. Gardner; the
stairs are not very apparent. The view shows part of the Temple, and
some picturesque old riverside buildings to the east of it. In the
background are the spires of St. Bride’s and St. Martin’s, Ludgate.
It is undated.
_Lent by Sir E. Coates._
115 MONUMENT TO MARTIN BOND IN ST. HELEN’S CHURCH, BISHOPSGATE.
Watercolour. 10¼ by 13½ in.
Shows him as Captain of Trained Bands seated in his tent at Tilbury
camp, 1588. Two sentinels guard the entrance, and a page holds his
horse. There is a similar monument (1625) to Sir Charles Montagu in
Barking Church, Essex. Both have special interest on account of the
military costumes. Martin Bond died in 1643 at the age of eighty-five.
It will be seen on the last page of catalogue that he gave to St.
Bartholomew’s Hospital the pewter inkstand here exhibited.
_Lent by Mr. P. Norman._
[Illustration]
FURNITURE AND OTHER OBJECTS OF ART
[Illustration]
The furniture in this exhibition lent by the Secretary of State
for India, the Worshipful Companies of Carpenters, Stationers and
Clothworkers, and the Master of the Charterhouse, has been chosen as
a fitting accompaniment to the drawings and paintings of Old London.
They form a representative selection of such relics of London’s history
as have survived the vicissitudes of Time. A certain individuality
stamps the furniture. It was made for a definite reason, had a serious
and official purpose to fulfil, and thus differs in some respects
from the contemporary furniture of the home, in the making of which
comfort, luxury, elegance and other domestic requirements had to
be considered. As would be expected, therefore, the furniture from
the India Office, from the City Halls and from the Charterhouse,
is essentially severe in character, “masculine and unaffected,” and
thoroughly sound both in design and workmanship.
The largest and most important collection is that from the Secretary
of State for India. The India Office is fortunate in possessing
a considerable number of fine pieces of English furniture of the
eighteenth century. Most of these were transferred in the nineteenth
century from the “Old India House” in Leadenhall Street at the time
when the India Office absorbed the business of the East India Company.
These historical events are discussed in full detail in “Records of
the Honourable East India Company,” by Sir George Birdwood and William
Foster.
Public-domain text, read in full here on John Shaqi.
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