Catalogue of a collection of early drawings and pictures of London: With some contemporary furnitureBurlington Fine Arts Club
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Catalogue of a collection of early drawings and pictures of London: With some contemporary furniture
Burlington Fine Arts Club
Art -- Exhibitions; London (England) -- Pictorial works -- Catalogs
The bridge shortly before its removal. From a point on the Surrey
side of the river, nearly opposite to old Fishmongers’ Hall.
G. Yates, watercolour painter, worked in London on topographical
subjects about 1825-37; in the Crace catalogue he is called Major
Yates.
By _G. Yates_, 1826.
_Lent by Mr. T. Girtin._
2 AUSTIN FRIARS CHURCH FROM THE NORTH-WEST.
Watercolour. 7¾ by 7½ in.
The priory of the Augustine Friars in London was founded A.D. 1253,
and the church was rebuilt about a century afterwards. In 1550 the
nave was made over to the Dutch community in London, and it has been
in their hands ever since. The choir and steeple were destroyed by
the then Marquess of Winchester at the beginning of the seventeenth
century. In 1862 what remained of the church was very much injured
by fire, the roof and all the fittings being burnt. It was “restored”
at a cost of about £12,000.
The interest of this drawing is due to the fact that it shows the
church, with its decorated tracery and staircase turret, before the
disastrous fire.
_Lent by Sir E. Coates._
PLATE II. 3 BOLINGBROKE HOUSE, BATTERSEA.
Watercolour. 7 by 4¾ in.
The St. John family became Lords of the Manor of Battersea in the
early part of the seventeenth century. Henry, Viscount Bolingbroke,
retired to the manor-house when nearing the end of his career, and died
there in 1751. In 1763 the manor was sold to Lord Spencer, and much
of the house is said to have been pulled down not long afterwards.
The remainder was enclosed in ground attached to a mill built about
1794, and it stands in the premises of the existing flour mill near
the parish church, but is now dilapidated.
This old drawing represents the house much as it was a few years
ago. It contained a panelled room, a good staircase, and remains of
a seventeenth-century plaster ceiling still there in 1920.
_Lent by Mr. P. Norman._
PLATE III. 4 OLD WESTMINSTER BRIDGE.
Wash and pen drawing. 19 by 9 in.
View of the bridge and of Westminster from mid-stream. The western
towers of Westminster Abbey, as shown, were completed in 1739. Among
prominent buildings are Westminster Hall, St. Stephen’s Chapel, and
the Church of St. John the Evangelist with its four queer towers
finished in 1728. In the distance is Lambeth Palace. Old Westminster
Bridge, designed by the Swiss architect C. Labelye, was begun in
1738-9 and opened 18 November 1750.
Antonio Canale, the Venetian painter, usually called Canaletto, visited
England in 1746, and remained about two years. During that time he
produced many pictures and drawings, chiefly of London scenes. An
inscription on the back of a picture of the Rotunda at Ranelagh (Nat.
Gal. Cat. 1906, No. 1429) has been thought to prove that he was here
in 1754.
By CANALETTO, _c._ 1747 (1697-1768).
_Lent by H.M. the King._
5 VIEW DOWN RIVER FROM GARDEN OF OLD SOMERSET HOUSE.
Wash and pen drawing. 19 by 7¾ in.
By CANALETTO, _c._ 1747 (1697-1768).
_Lent by H.M. the King._
Public-domain text, read in full here on John Shaqi.
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