The wild men, probably a modified revival of the classical satyrs in modified form, were very popular in France in the XIIIth and XIVth centuries. There are tapestries extant depicting the balls where all the company came dressed in hairy tights to represent these creatures. Froissart recounts an episode of a ball at the Hotel St. Pol in Paris in 1392 when the king and five of his companions came in such costumes, all chained together, and the flax used to imitate the hair caught fire from a torch, so that in an instant all were enveloped in flames. The king was saved by the presence of mind of his cousin, who enveloped him in her skirts, and another was saved by jumping into a tub of water he had noticed earlier in the evening in an adjacent service-room. The others were burned to death. [Sidenote: 10] FRANCE, BEGINNING XVI CENTURY [Sidenote: _Wool._ H. 7 _ft._ 10 _in._ W. 10 _ft._ 7 _in._ ] MILLEFLEURS WITH SHEPHERDS AND THE SHIELD OF THE RIGAUT FAMILY: _Against a background of conventionalized millefleurs, shepherds and shepherdesses and their flock. In the center, two peasants holding a shield, evidently of the Rigaut family. In the corners the shield of Rigaut and of another family. The tapestry was evidently made to celebrate a marriage, the corner shields signifying the joining of the families, an oblique reference being intended in the pairing of the shepherds and shepherdesses. A scroll in the center bears the inscription "Par Içi Passe Rigaut."_ [Sidenote: Lent by _P. W. French & Company_.] The naïveté both of the characterization and of the drawing that emphasizes the structural and silhouette character of the figures contributes greatly to the charm of this piece. The clean, sharp rendering of the millefleurs enhances the decorative effect. The piece is probably the work of a small provincial loom. [Sidenote: 11] FRANCE, PROBABLY LA MARCHE, BEGINNING XVI CENTURY [Sidenote: _Wool and Silk._ H. 5 _ft._ 7 _in._ W. 9 _ft._ 4 _in._ ] MILLEFLEURS WITH ANIMALS: _Against a large-scale millefleurs ground on blue, deer are playing about a fountain within a paddock. On a fence-post perches a peacock. Outside the fence a fox waits, watching slyly. In the background conventional castles._ [Sidenote: Lent by _P. W. French & Company_.] The floreation is rather unusual, as it shows the transition from the Gothic millefleurs to the Renaissance verdure. The enlarged scale of the flowers and the use of the iris and the scrolled thistle-leaves in the foreground show the influence of the Renaissance, but the daisies and wild roses are still Gothic in feeling, as are the unusually charming and vivacious deer. The conventional rendering of the water is skillfully managed. The sly fox is especially well characterized. [Illustration: _Millefleurs with Shepherds and the Shield of the Rigaut Family_ No. 10 ] [Illustration: _Pastoral Scene_ No. 13 ] [Sidenote: 12]