_The second piece_ (_No._ 18) _shows the Circumcision and the Assumption of the Virgin_, _and evidently included at least one more scene at the right_. [Sidenote: _The Last Judgment_ was formerly in the Evora Palace, Portugal, and is illustrated from the Louvre example in _Migeon, Les Arts de Tissu_, p. 220; in part, in _E. Mâle, L'Art religieux de la fin du Moyen Age en France_, p. 501; _Burlington_, vol. 20, p. 9; _Figaro Illustré_, 1911.] _The third piece_ (_No._ 19) _shows the full scene of the Last Judgment with a personage who seems to be Philip in one corner and in the other Zephaniah_. _The piece is complete except, possibly, for a border. A tapestry from the same cartoon with a narrow border of flowers is in the Louvre. Christ, enthroned, is surrounded by the Virgin, Saint John, and the eleven Apostles. Angels, bearing instruments of the Passion and sounding trumpets flutter through the sky. At the right of the throne angels come bearing crowns for the elect. Below the dead are rising from the graves. Before the throne of Christ Justice bearing a sword and Pity bearing a lily come to punish the Seven Deadly Sins, Pride, Avarice, Luxury, Greed, Anger, Envy, and Laziness, an episode adopted from the Mystery Plays. On the border of the robe of the Virgin appear the letters WOL and on the border of the robe of the last Apostle at Christ's left the letters RIM DACI BAPTISTA ORADI._ [Sidenote: _The Circumcision and Assumption_ is illustrated in _Demotte, Les Tapisseries gothiques_, Première Série, pl. 39.] Seven other large tapestries very closely related to these are known. They represent various episodes involving Christ and numerous allegorical figures that have not been identified. Three of these are in the collection of Baron de Zuylen du Nyevelt de Haar, two in the Burgos Cathedral, and two others have passed into private collections and been lost sight of.[15] Another smaller piece, apparently of the same series, was number X in the Morgan Collection. Three duplicates are also in Hampton Court. The series is closely related also to the _Life of the Virgin_ set in the Royal Collection at Madrid, and also the _Presentation in the Temple_ of the Martin le Roy Collection. The cartoons are clearly the work of Maître Philippe, and the weaving was evidently done in Flanders, probably in Brussels, about 1510. Marquet de Vasselot suggests that the cartoons of the Martin le Roy piece and of the Madrid series were done after a second master under the influence of Gerard David.[16] Destrée, following Wauters, suggests Jean de Bruxelles, known author of the cartoon for the _Communion of Herkenbald_, another Maître Philippe piece, to which he sees a resemblance,[17] and Thièry repeats the claim, but on far-fetched evidence.[18]