Catalonia & the Balearic Islands: an historical and desciptive account — John Shaqi
Catalonia & the Balearic Islands: an historical and desciptive accountCalvert, Albert Frederick
History
Catalonia & the Balearic Islands: an historical and desciptive account
Calvert, Albert Frederick
Balearic Islands (Spain) -- Description and travel; Catalonia (Spain) -- Description and travel
One instinctively searches at Barcelona for monuments of civic state
befitting a city of such antiquity and dignity. Happily such are not
lacking and have been preserved to us. The noble Gothic façade of the
Town Hall (Casa Consistorial), erected in 1373, has been recently
restored, fortunately with good taste. The Council Chamber (Salon de
Ciento), formed of two bays which support an artesonado roof, is lined
by a collection of portraits of Catalan worthies, among whom we
distinguish Capmany, Villadomat and Montaner. A finer building and
preserving more of its primitive character is the Diputacion, the old
Parliament House of Catalonia, and now the seat of the Provincial Court.
This monument, declares Piferrer, “is the admiration of foreigners and
the honour of Barcelona. He who seeks for originality of style, let him
examine all its parts and be convinced that many are of a character
entirely new.” Built in the early fifteenth century, it underwent
frequent restorations and enlargements, and was rebuilt in great part in
1609 by Maestre Pere Blai, who spared the best portions of the old work.
The principal façade is cold and devoid of interest, except for the
figure of St. George above the entrance. To that saint is dedicated the
chapel, with its fine ogival portal, and the adjoining wall damascened
(to quote Piferrer) with reliefs. The chapel is the repository of an
exquisite altar frontal, worked with the design of St. George and the
Dragon, and designed by Antonio Sadarni, in 1458. The pillars sustaining
the galleries of the patio, at one time much admired for their daring
and ingenious execution, were bending and giving way under the strain
till restored and strengthened a few years ago by Don Miguel Garriga y
Roca, a local architect.
The halls breathe the dignity and gravity of a great corporation. The
majestic Salon del Tribunal with its dome and hangings is adorned with
portraits of the Kings of Spain, and paintings by Fortuny, one
representing the victory of Marshal Prim over the Moors at Tetuan.
Catalonia keeps ever green the memory of her heroes.
The rapid extension of the most populous city of Spain has fortunately
spared several noble monuments of bygone ages and beliefs. About an
hour’s walk from the Tibidabo brings one to the Romanesque monastery of
San Cucufat (or Cugat) del Valles, founded by Charlemagne on the site of
a Roman camp, and rebuilt between 1009 and 1014. The exterior is
fortified with battlements and flanking towers, the main entrance being
pierced through a tall square gatehouse, and having been defended by a
drawbridge. The Abbey Church is in the finest Romanesque style, with an
octagonal lantern, apse, nave, and aisles. The interior is plain and
sombre, despite the abominable baroque chapels which have been added to
the right aisle. The church contains but one tomb of importance--that of
the builder or founder, the Abbot Otho, who was also Bishop of Gerona,
and flourished at the dawn of the eleventh century.
Public-domain text, read in full here on John Shaqi.
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