"I must bid you good-day, Mrs. Furze. If you will kindly send a cheque
for the five pounds to me, the receipt shall be returned to you in due
course, and the drawing of the altar-cloth shall follow. I can assure
you of the committee's thanks."
Mrs. Furze recollected she ought to ring the bell, but she also
recollected the servant could not appear in proper costume. Accordingly
she opened the dining-room door herself.
"Let me move that ere pail, mum, or you'll tumble over it," said the
charwoman to Mrs. Colston, "and p'r'aps you won't mind steppin' on this
side of the passage, 'cause that side's all wet. 'Ere, Mrs. Furze, don't
you come no further, I'll open the front door"; and this she did.
Mrs. Furze felt rather unwell, and went to her bedroom, where she sat
down, and, putting her face on the bedclothes, gave way to a long fit of
hysterical sobbing. She would not come down to tea, and excused herself
on the ground of sickness. Catharine went up to her mother and inquired
what was the matter, but was repulsed.
"Nothing is the matter--at least, nothing you can understand. I am very
unwell; I am better alone; go down to Mrs. Bellamy."
"But, mother, it will do you good to be downstairs. Mrs. Bellamy will be
so glad to see you, and she was so kind to me; it will be odd if you
don't come."
"Go _away_, I tell you; I am best by myself; I can endure in solitude;
you cannot comprehend these nervous attacks, happily for you; go _away_,
and enjoy yourself with Mrs. Bellamy and your sausages."
Catharine had had some experience of these nervous attacks, and left her
mother to herself. Mrs. Bellamy and Catharine consequently had tea
alone, Mr. Furze remaining at his shop that afternoon, as he had been
late in arrival.
"Sorry mother's so poorly, Catharine. Well, how do you like the
Terrace?"
"I hate it. I detest every atom of the filthy, stuck-up, stuccoed hovel.
I hate--" Catharine was very excited, and it is not easy to tell what
she might have said if Mrs. Bellamy had not interrupted her.
Public-domain text, read in full here on John Shaqi.
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