In this Cathedral was solemnised the marriage of Charles I. with Henrietta Maria of France, in 1625. During the war between Charles I. and Cromwell the Cathedral was wantonly mutilated and defaced by the followers of Cromwell, who converted the sacred edifice into stables for his horses. At the Restoration, Charles II., on his return from France, held his court in the royal palace at Canterbury for three days. This monarch, in 1676, granted a charter of incorporation to the refugee silk-weavers settled in the city. These refugees, a few years after, were considerably increased by French artisans, who came over consequent on the revocation of the Edict of Nantes in 1685. To those admirers of form and beauty the wonderful architecture of the present Cathedral must satisfy their every craving. To students the study of this colossal building must be a work of love, encouragement, and continued interest. Rebuilt soon after the Conquest by Archbishop Lanfranc, and worthily enlarged and enriched by his several successors, the Cathedral is a crowning work of grandeur and magnificence, exhibiting, in its highest perfection, every specimen of architecture, from the earliest Norman to the latest English. In form it is that of a double cross. Where the nave and the western transepts intersect, there springs up a lofty and elegant tower in the Later English style, with a spired parapet and pinnacles, with octagonal turrets at the angles, terminating in minarets. In the west end are two massive towers, of which the north-west is Norman, and the south-west is similar in character, though embattled, and little inferior to the central tower. Perhaps the most noteworthy portions of this Cathedral, though it is hardly possible to make a distinction, are the Chapel of Henry IV., with its beautiful fan tracery depending from the roof; the small but beautiful Lady Chapel, which is separated from the eastern side of the transept by the interposition of a finely carved stone screen; and in that part of the Cathedral, called Becket's Crown, is the Chapel of the Holy Trinity, famous as the site of the gorgeous Shrine of St. Thomas à Becket. In "Becket's Crown" a softened light steals through the painted window. The interest in this window lies in the fact that most of the glass shown is ancient, and it is the fifth of the twelve windows in the Trinity Chapel which suffered severely at the hands of the Puritans in 1642. [Illustration: CANTERBURY THE NORMAN STAIRWAY] What remained of the ancient glass was replaced, as far as possible in the original position, by the late Mr. George Austen, subsequently to 1853. These windows represent the miracles of St. Thomas à Becket between the years 1220 and 1240. Between the western towers there is a narrow entrance spanned over by a sharply pointed arch, enriched with deeply recessed mouldings. Above this are canopied niches, over which is a lofty window of six lights with richly stained glass.