Cathedral Cities of SpainCollins, W. W. (William Wiehe)
History
Cathedral Cities of Spain
Collins, W. W. (William Wiehe)
Cathedrals -- Spain; Spain -- Description and travel
Spain sought help from France to expel the Moor, and it is but natural
that the more advanced nation should leave her mark somewhere and in
some way in the country she pacifically invaded. Before the spread of
this influence became general, we find at least one great monument of
native genius rise up at Tarragona. The Transition Cathedral there can
lay claim to be entirely Spanish. It is the epitome and outcome of a
yearning for the display of Spain's own talent, and is one of the most
interesting and beautiful in the whole country.
Toledo, Leon, and Burgos are the three Cathedrals known as the "French"
Cathedrals of Spain. They are Gothic and the first named is the finest
of all. Spanish Gothic is best exemplified in the Cathedral of
Barcelona. For late-Gothic, we must go to the huge structures of
Salamanca, Segovia, and the Cathedral at Seville which almost overwhelms
in the grandeur of its scale.
After the close of the fifteenth century Italian or Renaissance
influence began to be felt, and the decoration of the Plateresque style
became the vogue. San Marcos at Leon, the University of Salamanca, and
the Casa de Ayuntamiento at Seville are among the best examples of this.
The influence of Churriguera, who evolved the Churrigueresque style, is
to be met with in almost every Cathedral in the country. He it is who
was responsible for those great gilded altars with their enormous
twisted pillars so familiar to travellers in Spain; and which, though no
doubt a tribute to the glory of God, one feels are more a vulgar display
of wealth than a tasteful or artistic addition to her architecture. The
finest of the Renaissance Cathedrals is that of Granada, and the most
obtrusive piece of Churrigueresque is the Cartuja in the same city.
Taking the Cathedrals as a whole the two most unfamiliar and notable
features are the Coros or Choirs, and the Retablos. These
latter--gorgeous backings to the High Altar, generally ill-lit, with a
superabundance of carving sometimes coloured and gilded, sometimes of
plain stone--are of Low-country or Flemish origin. The former, with one
exception at Oviedo, are placed in the nave west of the crossing, and
enclose, as a rule, two or more bays in this direction. Every Cathedral
is a museum of art, and these two features are the most worth study.
NOTE.--_Since the revolution in Catalonia of July-August 1909, the
King has decreed that no one can secure exemption from military
service by the payment of a sum of money._
CONTENTS
PAGE
CADIZ 1
SEVILLE 7
CORDOVA 23
GRANADA 31
MALAGA 57
Public-domain text, read in full here on John Shaqi.
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