Cathedral Cities of SpainCollins, W. W. (William Wiehe)
History
Cathedral Cities of Spain
Collins, W. W. (William Wiehe)
Cathedrals -- Spain; Spain -- Description and travel
The entrance into what we call the Alhambra is hidden away behind the
unfinished Palace of Charles V. The low door admits us directly in the
Patio de los Arrayanes, or court of the Myrtles. Running north and south
it gets more sun than any other court of the Alhambra. What a revelation
it is! In the centre is an oblong tank full of golden carp. The neatly
kept myrtle hedges encircle this, reflected in the clear water they add
refreshing charm to a first impression of the Moorish Palace. On the
north rises the Torre de Comares, the approach to which is through a
beautifully proportioned chamber, the roof of which was unfortunately
destroyed by fire in 1890. The whole of the ground-floor of this tower
is known as the Hall of the Ambassadors. The monarch's throne occupied a
space opposite the entrance and it was here that the last meeting to
consider the surrender was held by Boabdil. The elaborate domed roof of
this magnificent chamber is of larch wood, but the semi-darkness
prevents one realising to the full extent its beauties. From the
windows, which almost form small rooms, so thick are the walls of the
Tower of Comares, fine views over the roofs of the city and the Albaicin
hill are obtained.
The Court of the Lions, so called from the central fountain upheld by
marble representations of the kingly beast, is surrounded by a beautiful
arcade. At either end this is thrown out, forming a couple of extremely
elegant pavilions. Fairy columns support a massive roof, the woodwork of
which is carved with the pomegranate of Granada. Intricate fret-work is
arranged to break the monotony of strong sunlight on a flat surface.
Arabesques and inscriptions, stamped with an iron mould on the wet clay,
repeat themselves all round the frieze. Orange trees at one time adorned
the court and cast gracious shade on its surface. The fountain threw up
jets of splashing water, the musical sound harmonising with the
wonderful arrangement of light and shade. I tried to picture all this as
I sat making my sketch, but even in April, though hot in the sun, I
required an overcoat in the shadow, and I must own that the ever-present
tourist with his kodak sadly disturbed all mental attempts at the
reconstruction of Moorish life.
[Illustration: GRANADA. THE ALHAMBRA, COURT OF LIONS]
On the south side of the court is the hall of the Abencerrages, named
after that noble family. The massive wooden doors, which shut it off
from the arcade, are of most beautiful design. The hall is rectangular
and has a fine star-shaped stalactite dome. The _azulejos_, or tiles,
are the oldest that remain in the Alhambra. A passage leads to what was
once the Royal Sepulchral Chamber.
Public-domain text, read in full here on John Shaqi.
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