Cathedral Cities of SpainCollins, W. W. (William Wiehe)
History
Cathedral Cities of Spain
Collins, W. W. (William Wiehe)
Cathedrals -- Spain; Spain -- Description and travel
In ancient times Cadiz was the chief mart for the tin of the
Cassiterides and the amber of the Baltic. Founded by the Tyrians as far
back as 1100 B.C., it was the Gadir (fortress) of the Phoenicians.
Later on Hamilcar and Hannibal equipped their armies and built their
fleets here. The Romans named the city Gades, and it became second only
to Padua and Rome. After the discovery of America, Cadiz became once
more a busy port, the great silver fleets discharged their precious
cargoes in its harbour and from the estuary sailed many a man whose
descendants have created the great Spain over the water.
The loss of the Spanish colonies ruined Cadiz and it has never regained
the place in the world it once held. Huge quays are about to be
constructed and the present King has just laid the first stone of these,
in the hopes that trade may once more be brought to a city that sleeps.
There are two Cathedrals in Cadiz. The Catedral Nueva is a modern
structure commenced in 1722 and finished in 1838 by the bishop whose
statue faces the rather imposing west façade. Built of limestone and
Jérez sandstone, it is white--dazzling white, and rich ochre brown.
There is very little of interest in the interior. The _silleria del
coro_ (choir stalls) were given by Queen Isabel, and came originally
from a suppressed Carthusian Convent near Seville. The exterior can
claim a certain grandeur, especially when seen from the sea. The drum of
the _cimborio_ with the great yellow dome above, and the towers of the
west façade give it from a distance somewhat the appearance of a mosque.
The Catedral Vieja, built in the thirteenth century, was originally
Gothic, but being almost entirely destroyed during Lord Essex's siege in
1596, was rebuilt in its present unpretentious Renaissance form.
Cadiz possesses an Académia de Bellas Artes where Zurbaran, Murillo and
Alfonso Cano are represented by second-rate paintings. To the suppressed
convent of San Francisco is attached the melancholy interest of
Murillo's fatal fall from the scaffolding while at work on the _Marriage
of St. Catherine_. The picture was finished by his apt pupil Meneses
Osorio. Another work by the master, a _San Francisco_, quite in his best
style also hangs here.
[Illustration: CADIZ. THE MARKET PLACE]
Public-domain text, read in full here on John Shaqi.
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