After carefully considering all these influences and going to their
roots, we may conclude that the old Cathedral of Salamanca is both in
plan and structure a Romanesque church of the Burgundian School built on
Spanish soil by French monks from Cluny, who in their new surroundings
were strongly affected by Byzantine and Oriental influences and possibly
by the original Spanish or Moorish development of the dome. At a later
date, under Aquitaine bishops, certain forms of vaulting characteristic
of their region were adopted as well as devices to bring about the
transition between the circular dome and the square base.
Strange to say it is a Romanesque church erected at the time when what
are regarded as the finest Gothic cathedrals were being built in France.
The Spaniard clung more tenaciously to the older style, which in many
ways adapted itself better to his climate and requirements, while it
easily flowed into native streams of inspiration to form with them a
mighty whole. The church is neither French nor Spanish nor Arab nor
Italian in its various composition, but distinctly Romanesque in
spirit.
[Illustration: Photo by Author
THRESHING OUTSIDE THE WALLS OF SALAMANCA]
The plan is in general that of the old basilica: a nave with side aisles
of five bays, a crossing prolonged one bay to the south beyond the side
aisle, while to the east the nave and side aisles all terminate in a
semicircular apsidal chapel. A portion of the southern wall of the huge
new Cathedral replaces the northern one of the old church by encroaching
on its side aisle. A flight of eighteen broad stone steps occupies the
northern bay of the old Cathedral's crossing and leads from its
considerably lower pavement up to the level of the new one. To the south
lie the great cloisters. It was a plan which for its time was
undoubtedly as magnificent in scale as it seemed diminutive and
insignificant in the sixteenth century when the new Cathedral was built.
The massiveness on which the old Romanesque builders depended to obtain
their elevations and support the great weight is most impressive. The
outer walls have in some places a thickness of ten feet and the piers
are much larger in section than those of the new Cathedral which carry
vaults soaring far above the roof of the earlier structure. The choir
had formerly blocked the clear run of the nave; to the good fortune of
the old church and the injury of the new, this was removed to the latter
when it was sufficiently advanced to receive it. Unfortunately, the plan
of the west front was very radically disturbed by the building of the
new Cathedral, the two old towers flanking the entrance being removed
and a narrow passage, which leads into the nave through the immense
later masses of masonry, taking the place of the old entrance. The nave
is 33 feet wide, 190 feet long and 60 feet high; the side aisles are 20
feet broad, 180 feet long and 40 feet high, thus surprisingly high in
proportion to the nave.
Public-domain text, read in full here on John Shaqi.
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