Catherine de Médicis, Queen, consort of Henry II, King of France, 1519-1589 -- Fiction; French fiction -- Translations into English
All the tables were full. I had nothing to do, no one to speak to, and
I had just lost two thousand crowns to Monsieur de Laval. I flung myself
on a sofa near the fireplace. Presently, if there was ever a man on
earth most utterly astonished it was I, when, on looking up, I saw,
seated on another sofa on the opposite side of the fireplace, Monsieur
de Calonne, the comptroller-general. He seemed to be dozing, or else he
was buried in one of those deep meditations which overtake statesmen.
When I pointed out the famous minister to Beaumarchais, who happened to
come near me at that moment, the father of Figaro explained the mystery
of his presence in that house without uttering a word. He pointed first
at my head, then at Bodard’s with a malicious gesture which consisted in
turning to each of us two fingers of his hand while he kept the others
doubled up. My first impulse was to rise and say something rousing to
Calonne; then I paused, first, because I thought of a trick I could play
the statesman, and secondly, because Beaumarchais caught me familiarly
by the hand.
“Why do you do that, monsieur?” I said.
He winked at the comptroller.
“Don’t wake him,” he said in a low voice. “A man is happy when asleep.”
“Pray, is sleep a financial scheme?” I whispered.
“Indeed, yes!” said Calonne, who had guessed our words from the mere
motion of our lips. “Would to God we could sleep long, and then the
awakening you are about to see would never happen.”
“Monseigneur,” said the dramatist, “I must thank you--”
“For what?”
“Monsieur de Mirabeau has started for Berlin. I don’t know whether we
might not both have drowned ourselves in that affair of ‘les Eaux.’”
“You have too much memory, and too little gratitude,” replied the
minister, annoyed at having one of his secrets divulged in my presence.
“Possibly,” said Beaumarchais, cut to the quick; “but I have millions
that can balance many a score.”
Calonne pretended not to hear.
It was long past midnight when the play ceased. Supper was announced.
There were ten of us at table: Bodard and his wife, Calonne,
Beaumarchais, the two strange men, two pretty women, whose names I will
not give here, a _fermier-general_, Lavoisier, and myself. Out of thirty
guests who were in the salon when I entered it, only these ten remained.
The two _queer species_ did not consent to stay until they were urged
to do so by Madame Bodard, who probably thought she was paying her
obligations to the surgeon by giving him something to eat, and pleasing
her husband (with whom she appeared, I don’t precisely know why, to be
coquetting) by inviting the lawyer.
Public-domain text, read in full here on John Shaqi.
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