Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
One of the cruellest moments of her life was when she realized for the
first time that she was capable of jealousy. Hitherto she had extracted
a kind of pleasure from the thought: However passionate I may be, I am
not jealous. I am above that.... This supposed quality in her seemed
to raise her emotions and her desires above the common level, and she
was always grateful for any excuse to lift herself out of the world of
ordinary passions and ordinary emotions. Her emotions lacerated her so
much that she could not endure to think that she was one of millions
suffering likewise. The communion of sorrow was no good to her. She
wanted to be alone, to be unique, to be suffering more intensely than,
or at any rate differently from the rest of the world. There was a
subtle consolation in being a pioneer in experience.... And till now
she had been able to think: My feelings cannot be quite the same as
those of other people, because I am not jealous....
It came upon her with terrible lucidity that the only reason why she
had not been jealous was that there had been nobody to be jealous
of.... She was playing Chopin in a small West-end concert hall.
Verreker and Helen Trant were seated in the front row. (Helen was
now his stenographer, shorthand-typist and general amanuensis.) Just
before she started to play she glanced down at the audience. She
noticed Verreker and Helen, they were both bending their heads close
together as if sharing some confidence; also, they were both smiling.
And Catherine speculated: Has anything that I have ever said made him
smile like that? ... She wanted to know what was the cause of their
amusement. If she were with them she could ask. But here she was,
condemned to play Chopin for an hour and a half, and by the end of the
recital she knew that they would have probably forgotten the incident,
even if she were to remind them of it. It was, no doubt, something
ludicrously trivial and unimportant. Yet, whatever it was, it was being
shared between Verreker and Helen. _She_ did not come into it.
And for a single blinding moment she felt angrily, contemptuously,
vehemently jealous of Helen....
Then she was scornfully angry with herself. And bitterly humiliated
besides. For the fact of her jealousy placed her immediately on a
level with all the thousands of girls she passed every day in the
streets--girls who did not give Chopin recitals at West-end concert
halls.... She played Chopin automatically. All the while she was
bitterly reproaching herself.
Is it possible, she speculated, to get jealous over a strictly platonic
friendship? ...
§ 4
Public-domain text, read in full here on John Shaqi.
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