Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
And he was profoundly stirred. He had not believed her capable of such
passionate outburst. For a moment he stood perfectly still, viewing her
from that part of the room to which his pacings up and down had chanced
to lead him at the moment. Then he slowly approached her cowering form.
She was sobbing violently. He put his hand lightly on her shoulder and
drew it away immediately. The spectacle of her grief made him curiously
embarrassed. He seemed afraid to touch her.
“Cathie,” he spoke gruffly.
She made no sign of answer. But the sobbing stopped, and in a moment
she raised her head. She stood upright, with her head flung backwards
and her face turned to his. She was not beautiful, but passion had
given her face a spiritual sublimity. Tears were still in her eyes and
down her cheeks; her eyes, dim and blurred, were shining like the sun
through the edges of April clouds. And all about her head and face and
shoulders her hair was flung in gorgeous disarray. Red as flame it was,
and passionate as the whole look and poise of her.
He bent to her very simply and kissed her on the forehead. There was
no hungry eagerness about his movement, yet the very simplicity of it
seemed to indicate terrific restraint. She stood perfectly still, as if
hypnotized.
“Now,” he said quietly, “you and I are friends again, aren’t we?”
She nodded. There was the grating of a key in the lock of the front
door. They both waited in silence. Then there were footsteps in the
hall.
“Mrs. Tebbutt!” he called. He was tremendously, inexpressibly relieved
at her arrival.
Mrs. Tebbutt, discreet as always, opened the door and entered.
“You might come and clear these things away, will you?” he said, in a
perfectly ordinary tone.
“Very good, sir.”
The spell was broken.
Catherine did not stay long after that. Conversation between them was
difficult because it was carefully commonplace. Mrs. Tebbutt kept
coming in and out. And when Catherine left, his handshake at the gate
was just normally cordial, neither more nor less so than usual....
CHAPTER XVII
THE CRISIS
§ 1
WALKING amongst the trampled snow of the Ridgeway, it was difficult
for her to decide the significance of what had happened. It was not
easy to determine how far her passionate outburst had been a thing
of art and how far she had been unable to restrain it. Not that her
passion was in any sense unreal or artificial; but her aim had been to
excite his sympathies and she had succeeded so well that it was hardly
possible to regard her actions as entirely unpremeditated. There had
been such consummate artistry on her part that it seemed impossible
that for a single moment could she have entirely abandoned herself to
her feelings. Yet her tears had been thoroughly genuine, and she was
speaking the truth when she said that he had hurt her more than she had
ever been hurt before.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account