Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
It was eleven p.m. Her steps rang loudly along the deserted pavements;
occasionally she lurched forward as if desiring to increase her pace,
and this disturbed the rhythmic beat of her steps. She passed nobody,
except at the junction of Hanson Street, where a couple of belated
revellers slunk past with the furtive attitude of those who know they
ought to have been home long since. They were too intent upon their
destination to notice her. Only where there were large front gardens
did her passing excite attention, and here congregations of cats,
gathered for midnight revelry, dispersed with mournful sound as her
footsteps approached.
At the corner of the High Street she stopped. It seemed to occur to
her for the first time that to carry one’s hat and overcoat upon such
a night was in some degree unusual. With careful deliberation she put
them on. Then she laughed softly, and her laugh was a strange mingling
of rapture and defiance. That which she had thought impossible had come
to pass. After years of undeviating placidity fate had at last done
something dramatic with her.
She had been turned out of the house at No. 24, Kitchener Road.
Her father had done what he had never before been known to do: he had
lost his temper, and lost it thoroughly.
He had said: “My God, Cathie, I won’t stand that! ... Out you go!” He
had pushed her into the lobby, and while she was reaching for her hat
and coat he had struck her on the face with the back of his hand.
“Out you go!” he repeated, and Catherine saw that his temper had not
yet reached its height. “I’m done with you! ... Are you going?” He
actually picked up an umbrella and began brandishing it with his hand
grasping the ferrule.
Catherine had opened the front door in vague terror of what he was
going to do. The door was banged after her with a vicious kick from
within. Then her cheek where he had struck her began to hurt....
§ 2
The cause of the altercation had been Catherine’s determination to
accept a situation which he did not wish her to accept. She had
answered the advertisement, interviewed her prospective employer, and
received word that she had been appointed before even mentioning the
matter to him. Then at teatime on a Friday afternoon she casually
remarked:
“By the way, I’ve decided to get some work.”
He looked up at her as if the word were unfamiliar to him. “Work?” he
said, astounded. “What do you mean?”
“I mean I’ve applied for a job and been offered it.”
He seemed to have difficulty in comprehending what she said.
“A job? What job?”
“They want a pianist at a cinema. Good salary. Only work in the
evenings....”
“But, my dear girl----”
“Well?”
“Don’t cut me short like that.... I was about to say....”
“Oh, I know what you’re about to say. You’re hopelessly against it,
aren’t you?”
“Well, if I am, you----”
“Why are you?”
Public-domain text, read in full here on John Shaqi.
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