Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
She was very conscious of the effect her hair was or ought to be
producing....
As a matter of fact, nobody was either looking at her or listening to
her with any particular interest or eagerness.
She was awakened from her egoistic dreams by the half-hearted applause
of those people who by divine instinct know when a piece is coming to
an end several bars ahead, and start their applause at the last bar but
one.... She bowed graciously in front of the piano, and tripped lightly
behind the scenes. The applause did not justify an encore.... She had
made up her mind as she played the concluding chords of the Concert
Study: If I am given an encore, I will do all those things I omitted
to do before: I will polish my hands, adjust the stool, push back the
music-rest, have the sound-board lifted, run up with arpeggios on the
tonic....
But she was not given an encore.
In the artists’ room behind the scenes nobody took much notice of her.
Fred Hitchcock, a local tenor with baritone leanings, was giving final
frenzied directions to his accompanist, a large-featured female with an
excessively low and powdered neck.
“Go slow over that twiddly bit,” he whispered, catching hold of her to
lead her on to the platform. “And don’t forget to give me the leading
note in the adagio.” His hoarse voice merged into the buzz of sound
that came down the corridor leading to the platform.
She overheard a conversation.
“What was that thing that girl played?”
“What girl?”
“The girl with the red hair.”
“Oh, I don’t know--some Liszt thing, I think.”
“Classical?”
“S’pose so ... of course, nobody listens to pianoforte solos
nowadays....”
“They’re too common, that’s what it is. Everybody strums on the piano,
more or less.”
“I suppose you went to hear Razounov?”
“No, I couldn’t get a seat. The Hippodrome was full of people who went
to see him do something eccentric.”
“Did he?”
“No, as it happened. A friend told me he just came on the platform,
played like an angel for two hours, and went off again. Of course
everybody was greatly disappointed.”
“Naturally....”
“Bockley isn’t a musical suburb. It doesn’t even think it is. Whereas
Upton Rising thinks it is and isn’t.... I wish that pianoforte player
of ours wouldn’t show so much of her red hair and try to look like a
female Beethoven....”
“Oh, shut up--she’s probably somewhere about, she’ll hear you....”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account