Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
He and Catherine were slowly walking to Bishop’s Stortford railway
station. The Viking expression had left his features; the motor-cap and
goggles and overalls and gloves were tied up in a brown-paper parcel
which he carried under his arm. Also, his face was very dirty.
Terrible things had happened to him.
A couple of policemen had taken his full name and address, and made
copious entries in notebooks.
Mr. H. Bullock had sworn vividly. In trying to estimate the extent of
damage to his front wheel George had tactlessly turned the full glare
of the acetylene lamp upon the horse’s eye. The horse had hitherto been
uncertain whether the situation justified panic flight or not; now he
decided swiftly in the affirmative. He rushed forward precipitately,
and in less than a dozen yards had smashed off the wheel of the cart
against a pillar-box. The cart sagged despairingly, and streams of
bilious lemonade poured through the flooring. Mr. Bullock’s language
became terrific.
And then one of the policemen had said: “By the way, got your licence?”
George had blushed (though the fact that he was already a deep red
disguised the phenomenon).
“I’m afraid--I--I must have left it at home,” he stammered weakly,
diving into his inside pocket and fishing amongst letters and papers.
Yet both Catherine and the policeman knew in that moment that he had
not got a licence at all. Something in his voice told them.
And what is more, George knew that both the policeman and Catherine
were aware that he had not got a licence at all. Something in their
eyes told him.
And then George had wilted under the vivid abuse of Mr. H. Bullock.
Spectators called out monotonously: “You were on the wrong side of
’im.” “You was goin’ too fast.” “You didn’t orter ’ave come nippin’
in like thet.” “On the kerb ’e was, a minute before--don’t know ’ow
to drive, ’e don’t.” “Didn’t orter be trusted, them soit of cheps.”
“Swervin’ abart like anythink: shouldn’ be surprised if he’s drunk.”
And a fierce clergyman in a three-inch collar floored George with the
remark: “You ought to be in jail, my man. You are a pest to society.”
And then George had to push the battered machine into a garage (which
was fortunately at hand), and pay exorbitantly for leaving it there.
The garage proprietor was subtly sarcastic to George.
Then George came back to parley with the policemen. The crowd became
hostile. George rather unwisely began to divest himself of his motoring
garments. Facetiousness prevailed. Catherine was the subject of much
speculation.
“I wouldn’t trust myself to ’im no more,” remarked a bystander. And
another wanted to know if her mother knew she was out. (It was in the
days of that popular song.)
“’E’s a-tryin’ to murder you, that’s wot ’e is,” said a sour-faced
spectator. “’E’s found another gal, an’ wants ter git rid of you.”
Public-domain text, read in full here on John Shaqi.
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