Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
And then, at the point where the main highway narrows and begins an
S turn, with numerous side-streets complicating the problem, George
espied a vehicle proceeding slowly in the same direction as he. It was
a market-booth on four wheels, shuttered up at the sides, returning to
its stabling after the night’s market. On the side in painted crimson
lettering ran the inscription: “H. Bullock. Temperance Liquors and
Fruit Beverages.” The whole was drawn by a tired, meditative horse. The
existence of this equipage in the middle of the road created a problem.
George was rapidly overtaking it, and of course he should have passed
by on the right or off-side. But that would have meant checking pace
and honk-honking vigorously to clear people out of the way. Whereas he
was driving close to the kerb and could see a space between it and the
vehicle which seemed ample for passage. Besides, it was rather stylish
to “nip in” between vehicles and the kerb. People would stare back at
him and mutter, “Reckless fellow!” and by the time they had resumed
their walk he would be on the outskirts of the town. Accordingly,
summoning his features for an intensely Viking expression, he decided
to “nip in.” The road was narrowing, and he knew he would have to put
on a spurt. The accelerator moved, and they went forward with a bound.
Blurred mists of passing faces swept by along the kerb.... There was
a sudden jar. The side-car wheel had mounted the pavement, which was
here only an inch or so above the roadway. Nevertheless, no harm had
yet been done. And then the appalling vision of a lamp-post seized hold
of George and wrought havoc with his presence of mind. That lamp-post
obsessed him, possessed him, threw him into inarticulate terror. That
lamp-post would slice off the wheel of the side-car as a scythe cuts
grass. It was therefore necessary at all costs to avoid that lamp-post.
With a mighty sense of the tremendous issues that hung upon the merest
fractional movement of his hands, George swerved to the right. Even as
he did so he could almost feel the sickening impact of the lamp-post.
He waited for what seemed a long minute--waited for the sudden jar
and shiver and crumple. Strange to say it did not come.... Then with a
feeling of overwhelming relief he perceived that the obstacle had been
passed. The lamp-post was already behind him, an unsuccessful syren
baulked of its prey. Exquisite moment! Colossal thrill! Magnificent
piece of steering! And then ...
A sudden grind of the front wheel, a sort of convulsive jerk which
threw him sideways on top of the side-car, and a medley of snapping
and shivering and crumpling sounds. Then (it seemed an age before he
mastered the situation) he shouted to Catherine, whose ear was not so
very far from his mouth: “By Jove, we must have cannoned into that
cart!”
His voice was as the voice of one who is immensely interested in a
subtle and curious phenomenon....
§ 12
George was distressed.
Public-domain text, read in full here on John Shaqi.
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