Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
Catherine went white. She was not afraid of a sound thrashing (they
were not very fearsome things when you got used to them); it was the
atmosphere of strained expectancy that was almost intolerable. She went
whiter when her mother said:
“Have your supper first.... There’s some cold rice pudding....”
She ate in silence. Her mother was rushing in and out of the scullery
preparing her father’s supper. In the middle of all this her father
entered. He was tired and hoarse after the evening’s effort. He
noticed the strained atmosphere. He said to Catherine:
“What’s the matter, Cathie?”
Mrs. Weston began to talk very fast and very harshly. Her voice was
like the sudden rending of a strip of calico.
“She’s bin behaving herself badly again, that’s what’s amiss with
her.... Larking about all this evening, she was. A regular disgrace. I
tell you, I’m not going to put up with it. She’s going to get a sound
thrashing to teach her to remember....”
Simultaneously Mrs. Weston planked down a plate of greens and
vegetables in front of her husband. He attacked them nervously.
“It’s not good enough,” he said, after a pause, with the air of being
vaguely reproachful against nobody in particular, “I tell you it’s not
good enough.... I don’t know why these things should happen. It’s not
as if she was a little girl....”
That was all he said.
The sound thrashing began soon afterwards. It was an extremely
unscientific battery of slaps, in which Catherine dodged as best she
could amongst the crowded furniture of the kitchen. Once she lurched
against the table and knocked over the vinegar-bottle.
“I wish you wouldn’t ...” began Mr. Weston, and then stopped and
continued eating.
After some moments of this gymnastic display both parties were hot and
flushed with exertion, and the finale began when Mrs. Weston opened the
door of the lobby and manœuvred Catherine out of the kitchen.
“Off you go,” she said. “Straight to bed ... str-h-aight to b-bed....”
The chase proceeded upstairs. Mrs. Weston’s stertorous breathing
and heavy footfalls were the most conspicuous sounds.... A few
seconds afterwards a loud banging of an upstairs door announced that
hostilities were over.
In her tiny back bedroom Catherine sat down on a chair for breath. She
was not physically hurt; in her “larking about” with boys and girls of
her own age she had often paused for breath like this, and at such
times there had been joy in her heart even when there had been pain in
her body. But now she was conscious only of profound indignity. Her
father’s vague protest echoed in her memory: “It’s not as if she were a
little girl....”
Public-domain text, read in full here on John Shaqi.
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