Catherine's coquetries : $b A tale of French country lifeDebans, Camille
Philosophy
Catherine's coquetries : $b A tale of French country life
Debans, Camille
French fiction -- Translations into English
“Take care yourself, my child. Do your duty and be circumspect is all I
ask. But no more coquetry, you understand, or----”
“Or--you will kill me, perhaps. Well, then, do it. Kill me, if you
will.”
“Madame,” said he, solemnly, “I do not come from a family of assassins.”
Catherine’s face turned livid. She fell heavily to the floor, and Savin
could have bitten his tongue out for his cruel words.
[Illustration]
CHAPTER IV.
THE STAMPEDE.
Three weeks later. The annual cattle show at St. Benoit is about to
open. St. Benoit is the great region for fine cattle in France. From
miles around the farmers and peasants assemble to exhibit the beasts
they have fattened to sell in Paris at a reasonable profit.
Every road is crowded. Oxen, cows, and sheep fill the thoroughfares and
byways, and the quaint rural habitations are gayly decorated with flags
and streamers. Not a drop of rain has fallen since the famous day of
the raspberry _fête_, and each morning the sun has risen in the east
with more scorching radiance.
The large hamlet of St. Benoit, perfectly suited to such a fair, is
crowded in spite of its size. As the sun climbs above the horizon,
the cattle accumulate in greater numbers. The peasants are in the
best of good spirits, and talk is heard and laughter rings on all
sides. Perhaps the buyers are treated with rather more deference than
the sellers, but those who come neither to buy nor to sell address
themselves to the various schemes of pleasure. The fair is for
everybody, and, at all events, it offers an admirable opportunity to
“eat, drink, and be merry.”
The two public houses of the place are not without guests, and the
respective landlords are gathering in a goodly supply of the _sine
qua non_ of life and not stopping to count the centimes. More than one
young rascal, with nothing to sell and no money to buy, finds his way
to the village inn and does not leave there thirsty. Among this class
are two men who make more noise than all the rest, and who await the
inevitable fistic encounter with interest. One of them is Andoche the
blacksmith, an expert in his trade, but still more skilful in spoiling
wine by drinking it.
As he sits just outside the door of the public house, at one of the
tables, he appears ill at ease. In the rural portions of France people
do not like to drink conspicuously, but in Paris it is different.
The peasant, conscious that he might better spend his money in some
other direction, prefers to take his libations under cover or behind
a screen. To get tipsy is all well enough, he thinks; but it is not
necessary that the whole world should witness the process from start to
finish.
Public-domain text, read in full here on John Shaqi.
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