Catholic World, Vol. 24, October, 1876, to March, 1877: A Monthly Magazine of General Literature and ScienceVarious
Religion
Catholic World, Vol. 24, October, 1876, to March, 1877: A Monthly Magazine of General Literature and Science
Various
Catholic Church -- Periodicals
――Alcides founded the city, Julius Cæsar rebuilt it, and Ferdinand
III., the Hero, restored it to Christ; a proud inscription, showing
the antiquity of Seville. Hercules himself, who played so great a
_rôle_ in Spain, founded it, as you see; its historians say just two
thousand two hundred and twenty-eight years after the creation of the
world. On the _Puerta de Jerez_ it is written: “Hercules built me,
Julius Cæsar surrounded me with walls, and the Holy King conquered me
with the aid of Garcia Perez de Vargas.” Hercules’ name has been given
to one of the principal promenades of the city, where his statue is to
be seen on a column, opposite to another of Julius Cæsar.
The above-mentioned Garcia Perez and Alfonso el Sabio are both buried
in the Royal Chapel. Close beside it is the chapel of the Immaculate
Conception, with some old paintings of that mystery, which Seville was
one of the foremost cities in the world to maintain. Andalusia is the
true land of the Immaculate Conception, and Seville was the first to
raise a cry of remonstrance against those who dared attack the most
precious prerogative of the Virgin. Its clergy and people sent
deputies to Rome, and had silence imposed on all who were audacious
enough to dispute it. And when Pope Paul V. published his bull
authorizing the festival of the Immaculate Conception, and forbidding
any one’s preaching or teaching to the contrary, Seville could not
contain itself for joy, but broke out into tournaments and banquets,
bull-fights and the roaring of cannon. When the festival came round,
this joy took another form, and expressed itself in true Oriental
fashion by dances before the Virgin, as the Royal Harper danced before
the ark. Nor was this a novelty. Religious dances had been practised
from remote times in Spain. They formed part of the Mozarabic rite,
which Cardinal Ximenes reestablished at Toledo, authorizing dances in
the choir and nave. St. Basil, among other fathers, approved of
imitating the _tripudium angelorum_――the dance of the angelic choirs
that
“Sing, and, singing in their glory, move.”
Public-domain text, read in full here on John Shaqi.
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