Catholic World, Vol. 24, October, 1876, to March, 1877: A Monthly Magazine of General Literature and Science — John Shaqi
Catholic World, Vol. 24, October, 1876, to March, 1877: A Monthly Magazine of General Literature and ScienceVarious
Religion
Catholic World, Vol. 24, October, 1876, to March, 1877: A Monthly Magazine of General Literature and Science
Various
Catholic Church -- Periodicals
They passed the dining-room, traversed the long western wing, went up
a little stair, and found themselves on the roof of a building that
had been added to the house and used as a studio for sculptors. A
balustrade ran across one side, and at the side opposite a door
entered an upper room of the studio. The two connecting sides, the one
toward the west and that next the house, had trellises, over which
morning-glory vines were running. A few pots of flowers and a chair or
two completed the furniture of the place. Below, the garden and
vineyard pressed close against its walls, breathing perfume, and just
stirring the evening air with a delicate ripple of water and a whisper
of leaves.
Bianca leaned on the balustrade and wished she were alone. The silent
beauty was too solemn for talk; and, besides, it was the hour when one
remembers the absent. Her companion was too sensitive not to perceive
and respect her mood. “Only keep the shawl well about you,” he said,
as if in reply to some spoken word, then left her to herself, and
paced to and fro at the most distant part of the _loggia_, drinking in
the scene, which would some day flow from his pen-point in glowing
words. It seemed not ten minutes when the Signora’s voice was heard
across the silence, “Children, come in!”
Both sighed as they left the charmed spot, and had half a mind to
disobey the summons. “But, after all, it will only be exchanging one
picture for another,” the author said. “And, _ecco_!”
He pointed to the foot of the little stair that led from the _loggia_
down to the passage. Adriano stood there in the shade, like a portrait
framed in ebony, holding in his hand one of the long-handled brass
lamps of Italy, the light from whose three wicks struck upwards over
his handsome dark face peering out sharply, but not at first seeing
them.
“Strong light and shade will make a picture of anything,” Bianca said.
“And there is a companion.”
He glanced at the dining-room window, and saw through the open half of
a shutter Isabel standing under the chandelier, with face and hand
uplifted to examine some pendants that had just caught her attention.
The light poured over her face, and filled her beautiful, undazzled
eyes, and the hand that held the crystal looked as if carved out of
pink transparent coral.
Public-domain text, read in full here on John Shaqi.
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