Boys -- Conduct of life -- Juvenile fiction; Tramps -- Juvenile fiction
Catty was pretty quiet all the afternoon. He seemed to be figuring
something out, and every little while he acted as if he had forgotten I
was around at all, and would sit down some place and look off at the
distance and squint, and bend his thumb back and forth like he expected
to pump water with it. When I got to know him better I found out he
always worked his thumb when he was het up over something or didn’t know
what to do. Once I told him I guessed his brains was in his wrist
instead of in his head, and that he had to pump them like they do the
pipe-organ in church, or they wouldn’t work.
Pretty soon he jumped up all of a sudden, and says to me, in a warlike
kind of a voice: “It would be runnin’ away. We’ve been runnin’ away
right along.”
“Do tell,” says I. “From what?”
“Folks,” says he, and then shut his mouth up like a steel trap and began
to walk away fast.
“Hey!” says I. “Where you goin’?”
“To see Dad,” says he.
I kept right up with him, but he didn’t speak again till we were right
by that little shanty near the waterworks where he and his father were
sleeping. It was no kind of a place to sleep at all. There wasn’t a
whole window in it; the front door was off the hinges and there was more
roof where the shingles was off than where they was on. Honest Injun, it
looked as if a good stiff shove would topple the whole shooting-match
over. Inside there wasn’t a stick of furniture and the floor was full of
holes. It smelled kind of musty and damp. The minute I saw it I knew I
wouldn’t enjoy tramping. No, sir. I wouldn’t mind sleeping in the woods
or in the hay, but to use a place like this was something I jest
naturally would be dead set against.
Catty called, but nobody answered.
“Dad’s fishin’,” says he, and off we went to the bayou, where, after a
few minutes, we came across a man a-sitting on a log with a long cane
pole in his hands. I couldn’t see him move so much as his eye-winkers.
He was kind of long and narrow, and whiskers that was a sort of red and
yellow, mixed, stuck out around his face like the spokes of a wheel.
[Illustration: “Who’s he?” said Mr. Atkins, pointing very sudden at me]
What he had on his head might have been a hat and it might have been
part of a horse-blanket, and it might have been a busted waste-basket.
It might have been almost anything, but the thing it looked like _least_
was a hat. He had a nose with a hook in it and a drooping end. Most of
his face was nose. That was about all I saw of him first off. Then Catty
spoke to him and he turned around slow.
“Howdy, Sonny!” says he, and smiled. I saw then that his eyes were
brown, with wrinkles all around them. Not laughing wrinkles, but the
kind you get from the sun shining in your eyes. I never saw a smile just
like his smile. It was kind of patient, and kind of glad, and kind of
thoughtful, and kind of sorry—all mixed in—and right off I liked him.
“Who’s _he_?” said Mr. Atkins, pointing very sudden at me.
Public-domain text, read in full here on John Shaqi.
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