Boys -- Conduct of life -- Juvenile fiction; Tramps -- Juvenile fiction
“Who are the painters here?” says he. “Sands Jones is one and Darkie
Patt is the other. Patt’s a darky,” says I, “and they don’t even speak.
Mad at each other. Always was and always will be, I guess.”
As we were going along we met Banty Gage and Skoodles Gordon. Skoodles
hollered to me to come on, that they were going up to the dam fishing.
He said there was a hole washed out behind the spiles where a fellow
could catch rookies as fast as he dropped in his line.
“How about it?” says I to Catty, and he looked like he was pretty
interested.
“Wait a minute,” I yelled to Banty, “till I see if Catty wants to come.”
“Needn’t wait on our account,” says Banty. “If he comes I can’t. Ma says
so, and I don’t want to, neither. I hain’t goin’ to have folks say I’m
always runnin’ around with tramps and sich.”
Catty didn’t say a word, but there was a line all the way around his
mouth that was white as white, and he looked kind of stiff like he was
frozen.
“Me, too,” says Skoodles. “Come on, Wee—wee. You hain’t goin’ to give us
the go-by for no tramp, be you?”
It made me mad.
“Come on,” says I to Catty. “Let’s knock some manners into ’em. A good
lickin’s goin’ to open up their eyes to who’s a tramp and who hain’t.”
“No,” says he, after a minute. “I’d like to. Gosh! how I’d like to, but
it wouldn’t do. I’m tryin’ to be respectable. If you was to fight,
nobody’d think anything about it; but if I was to fight, everybody ’d
say I was a rowdy and maybe I’d git arrested or somethin’. Wee-wee, I
jest _got_ to be respectable.”
“You hain’t afraid, be you?” says I, kind of looking at him edgeways.
“If you think I be,” says he, “come on off alone somewheres where nobody
’ll see us. I figger to show you mighty sudden.”
So that was all right. If he was the kind of a fellow that was afraid of
a bang in the nose I didn’t want to take any trouble for him, but he
wasn’t. So Banty and Skoodles got off without a licking that day. I just
yelled to them to mosey along because I was able to pick my company and
’most generally stuck to what I picked. So they hollered back something
disagreeable and went along.
I made up my mind right there that the first time I ketched either of
them alone I’d knock him into a peaked hat. Nobody could blame Catty for
what I did.
“We will go to see that painter—Mr. Jones,” said Catty.
So we went up to Sands Jones’s house, and there he was, standing just
outside the kitchen door with an ax in his hand, like he was going to
chop wood. He looked at the ax and then he looked at the wood and then
he breathed hard and rested the ax-head on the ground and looked over
the garden fence. Mrs. Jones poked her head out of the door.
“Sands Jones,” she said, “don’t you think I can’t see where you’re
lookin’—over the back fence toward the river. I’m watchin’ you, too. You
git to splittin’ if you expect to eat. Now chop, Sands, chop. I hain’t
goin’ to move off’n this spot till that ax-head hits a block of wood.”
Public-domain text, read in full here on John Shaqi.
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