Boys -- Conduct of life -- Juvenile fiction; Tramps -- Juvenile fiction
“To-night,” says I. “Most gen’ally it comes out Thursdays, when it don’t
come out Fridays or Saturdays or Mondays. It hain’t what you call
reg’lar. Editor has to go fishin’, or he loses his bottle of ink, or he
hain’t got money to git his paper out of the express-office, or
somethin’ else.”
“We’re goin’ to the printin’-office,” says Catty.
“What if that there town marshal comes back while you’re gone and starts
chasin’ me away?” says Mr. Atkins.
Catty laughed. “Don’t run no farther ’n you have to, Dad, and run slow.
I’ll catch up.”
“Dunno but what I’d rather be chased off than have to go paintin’ all
that buildin’ and git the colic,” Mr. Atkins says, under his breath, but
Catty jest grinned at him and patted him on the back, and we mogged
along.
“What kind of a feller is this editor?” says Catty.
“He’s all right, except that he hain’t got much gumption.”
We hiked along till we got to the printing-office and went in. I always
like to go into the printing-office on account of the smell. I don’t
know what there is about that smell that I like, but it sort of excites
a fellow and makes him think about things happening in far-off places,
and about adventures, and all sorts of interesting things. I suppose
that is because printer’s ink has been used to tell so many exciting and
bully things for years and years that, somehow or other, they have got
to be a part of the ink, and the smell of them has got into it. I’d like
to be a newspaper man some day and live in that smell all of the time.
Mr. Cuppy was sitting in front of a table, with his coat off and a shade
over his eyes and a corncob pipe in his mouth. He was all hunched over
like he was using the last drop of his brains to write an editorial
about something that was mighty important, and for a second I sort of
hesitated about interrupting him; but I took a look over his shoulder
and saw that what he was doing was painting up an artificial minnow with
streaks and polka-dots. There was another contraption that looked like a
mouse cut out of wood, and there were hooks and feathers and all sorts
of things scattered around.
“Mornin’, Mr. Cuppy,” says I.
“Mornin’, Wee-wee,” says he, just looking up and then looking back again
at his minnow.
“This is Catty Atkins,” says I, “and he wants to talk business with
you.”
“Does, hey? In a hurry is he? Because I’m mighty busy just this minute.
I think I’ve got it at last. Been trying for months to paint up a minnow
so it can’t fail, and now I’m on the track. Bet I’ve painted this one
forty times, but I’ll get it yet, and when I do I’ll show you how to
catch bass.”
“What’s the idea?” I says.
“I’ve been figuring out what kind of a looking minnow I’d like to eat if
I was a bass,” says he, as solemn as a church. “I’ve been putting myself
in the place of the bass and thinking like he would think, and this
minnow is the result. Now, Wee-wee, if you were a bass, wouldn’t you
jump out of the water to grab that bait?”
“Dunno but what I would,” says I.
Public-domain text, read in full here on John Shaqi.
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