The garden used to be one of her favourite resorts. Here she would wander up and down before Markworth came, speaking to herself, as if she were carrying on a conversation with someone else. Here she had flowers of which she was passionately fond, treating them as if they were living things, and crying over them should a leaf be broken off, or a branch blown down. Old George used to take especial pains over "Missy's" garden, and she always used to go out and watch him at work, and be continually inciting him to dig up the earth around her plants. When Markworth began his care, however, Susan changed a great deal in her habits. She at first gave up the garden, and only would go to the organ-room; but when he brought a flute out and used to play an air of which she was especially fond, in and about her favourite haunts in the shrubbery, she got to come out again, ceased her imaginary dialogues, and grew more expressive and brighter. Insane people always seem affected by wind instruments. Markworth took care, however, never to play the flute when the dowager was about the premises, as she "hated that odious tooting thing even worse than the jackass that played it"--she said. Miss Kingscott used to accompany Susan, and consequently the three were very much together, for Tom was nearly always out now by himself, as he could not get Markworth to accompany him to the Pringles; and when he was at home he used to flirt with the governess under his mother's very nose, and leave Susan even more in Markworth's hands. The devil, they say, is never so black as he is painted, and, perhaps, Markworth was not altogether so selfish or so wicked in his motives as one might suppose. He was really interested, deeply so, in the peculiar case of Susan Hartshorne; and having read a great deal on insanity and its cure, he had certain theories of his own on the subject which made him glad of the opportunity for reducing them to practice. If he had not known that the poor girl was the heiress to twenty thousand pounds, and had not circumstances so strangely placed Clara Joyce--he could not think of her even by her new name--in the house to assist him, he would never have dreamt of his plot, nor have attempted to carry it out after he saw the subject, or rather object, of it; and yet, perhaps, he would still have tried to put her in the way of recovering her reason without a thought of recompense. As it was, he was now working with a double object, and the success which he met with startled him, while it emboldened him to persevere in his design.