Cavanagh, Forest Ranger: A Romance of the Mountain WestGarland, Hamlin
General
Cavanagh, Forest Ranger: A Romance of the Mountain West
Garland, Hamlin
Forest rangers -- Fiction; Western stories
The stage-agent called her "Miss McBride," and with exaggerated courtesy
explained that travel was heavy, and that he had not known that she was
intending to go.
One of the men, a slender young fellow, moved to the middle of the seat,
and politely said, "You can sit on the outside, madam."
She clambered in with doleful clamor. "Well, I never rode in one of these
pesky things before, and if you git me safe down to the Fork I'll promise
never to jump the brute another time."
A chuckle went 'round the car; but it soon died out, for the new-comer
scarcely left off talking for the next three hours, and Virginia was very
glad she had not claimed acquaintanceship.
As they whirled madly down the valley the girl was astonished at the
transformation in the hot, dry land. Wire fences ran here and there,
enclosing fields of alfalfa and wheat where once only the sage-brush and
the grease-wood grew. Painted farm-houses shone on the banks of the
creeks, and irrigating ditches flashed across the road with an air of
business and decision.
For the first half-hour it seemed as if the dominion of the cattle-man had
ended, but as the swift car drew away from the valley of the Bear and
climbed the divide toward the north, the free range was disclosed, with
few changes, save in the cattle, which were all of the harmless or
hornless variety, appearing tame and spiritless in comparison with the
old-time half-wild broad-horn breeds.
No horsemen were abroad, and nothing was heard but the whirr of the motor
and the steady flow of the garrulous woman behind. Not till the machine
was descending the long divide to the west did a single cowboy come into
view to remind the girl of the heroic past, and this one but a symbol--a
figure of speech. Leaning forward upon his reeling, foaming steed, he
spurred along the road as if pursued, casting backward apprehensive
glances, as if in the brassy eyes of the car he read his doom--the doom of
all his kind.
Some vague perception of this symbolism came into Virginia's thought as
she watched the swift and tireless wheels swallow the shortening distance
between the heels of the flying pony and the gilded seat in which she sat.
Vain was the attempt to outride progress. The rider pulled out, and as
they passed him the girl found still greater significance in the fact that
he was one of her father's old-time cowboys--a grizzled, middle-aged,
light-weight centaur whom she would not have recognized had not the driver
called him by his quaint well-known nickname.
Soon afterward the motor overhauled and passed the battered stage
lumbering along, bereft of its passengers, sunk to the level of carrying
the baggage for its contemptuous aristocratic supplanter; and as Lee
Virginia looked up at the driver, she caught the glance of a simple-minded
farm-boy looking down at her. Tom Quentan no longer guided the plunging,
reeling broncos on their swift and perilous way--he had sturdily declined
to "play second fiddle to a kerosene tank."
Public-domain text, read in full here on John Shaqi.
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