Confederate States of America. Army -- Fiction; Historical fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
Edward came back to the fire. “Do you belong to the place?”
“No, sah, I’se free. Ol’ marster freed me. But I goes dar mos’ every
day en’ takes advice en’ draws my rations. No, sah, I don’ ’zactly
belong, but dey’re my white folks. De Gaillards’s de finest kind dar
is. Dar ain’t no finer.”
Old man and young man, dark-skinned and light, African and Aryan, the
two rested by the fire. The negro sat, half doubled, his hands between
his knees, his eyes upon the floor by the door. Now he was silent, now
he muttered and murmured. The glare from the pine knots beat upon his
grey pate, upon his shirt, open over his chest, and upon his gnarled
and knotted hands. Over against him half reclined the other, very torn
and muddy, unshaven, gaunt, and hollow-eyed, yet, indescribably,
carrying his rags as though they were purple, showing through fatigue,
deprivation, and injury something tireless, uninjured, and undeprived.
He kept now a somewhat languid silence, idle in the warmth, his
thoughts away from the Mississippi and the night of storm. With the
first light he would quit the cabin and press on after his company. He
thought of the armies of the Far South, of the Army of Tennessee, the
Army of the Trans-Mississippi, and he thought of the fighting in
Virginia, of the Army of Northern Virginia, the army he had quitted
but a few weeks before. He, too, that afternoon, had felt homesick for
it, lying there behind the hills to the south of Fredericksburg,
waiting for Burnside to cross the Rappahannock!... The soldier must go
where he is sent! He thought of his own people, of his father, of
Fauquier Cary, of Greenwood, and his sisters there. He should find at
Vicksburg a letter from Judith. From the thought of Judith he moved to
that of Richard Cleave.... Presently, with an impatient sigh, he shook
himself free. Better think, to-night, of something else than tragedies
and mysteries! He thought of roses and old songs, and deep forests and
sunny childhood spaces. He put attention to sleep, diffused his mind
and hovered in mere warmth, odors, and hues of memory and imagination.
He set faint silver bells to ringing, then, amid slow alternating
waves of red and purple, a master violin to playing. Lulled, lulled in
the firelight, his eyelids drooped. He drew sleeper’s breath.
“_De water’s comin’ under de doah! De water’s comin’ under de doah!_”
The violin played the strain for a moment, then it appeared that a
string broke. Edward sat up. “What’s the matter?—Ha, the levee broke,
did it?”
“Hit ain’t de river, hit am de bayou! De bayou’s comin’ out, en’ ef
you don’ min’, sah, we’s obleeged ter move!”
Edward rose, stretching himself. “Move where?”
“Ter Cape Jessamine, sah. Bayou can’t git dat far, en’ dey sho’ ain’t
gwine let de river come out ef dey kin help hit!”
Public-domain text, read in full here on John Shaqi.
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