Léon de Tallemont laughed, and thought of the eyes that would brighten at his glance, and the heart that would beat against his once more under the vine shadows of Lorraine. No new magic, however seductive, should have strength to shake his allegiance to that Memory, and, true to his violet in Lorraine, he defied the Queen of the Foyer. "We are late, but that is always a more pardonable fault than to be too early," said the Marquis, as they were ushered across the vestibule, through several salons, into the supper-room, hung with rich tapestries of "Les Nymphes au Bain," "Diane Chasseresse," and "Apollon et Daphné;" with gilded consoles, and rosewood buffets, enamelled with medallion groups, and crowded with Sèvres and porcelaine de Saxe, while Venetian mirrors at each end of the salle reflected the table, with its wines, and fruits, and flowers, its gold dishes and Bohemian glass. The air was heavily perfumed, and vibrating with laughter. The guests were Richelieu, Bièvre, Saxe, D'Etissac, Montcrif, and lovely Marie Camargo, the queen of the coulisses who introduced the "short skirts" of the ballet, and upheld her innovation so stanchly amidst the outcries of scandalized Jansenists and journalists. But even Marie Camargo herself paled--and would have paled even had she been, what she was not, in the first flush of her youth--before the superb beauty, the languid voluptuousness, the sensuous grace, the southern eyes, the full lips, like the open leaves of a damask rose, melting yet mocking, of the most beautiful and most notorious woman of a day in which beauty and notoriety were rife, the woman with the diamond of Louis Quinze sparkling in the light upon her bosom, whom Versailles and Paris hailed as Thargélie Dumarsais. The air, scented with amber, rang with the gay echoes of a stanza of Dorat's, chanted by Marie Camargo; the "Cupids and Bacchantes," painted in the panels of Sèvres, seemed to laugh in sympathy with the revel over which they presided; the light flashed on the King's diamond, to which Richelieu pointed, with a wicked whisper; for the Marshal was getting tired of his own reign, and his master might pay his court when he would. Thargélie Dumarsais, more beautiful still at her _petit souper_ than at her _petit lever_, with her hair crowned with roses, true flowers of Venus that might have crowned Aspasia, looked up laughingly as her lacqueys ushered in le Marquis de la Thorillière and le Chevalier de Tallemont. "M. le Marquis," cried the actress, "you are late! It is an impertinence forbidden at my court. I shall sup in future with barred doors, like M. d'Orléans; then all you late-comers----" Through the scented air, through the echoing laughter, stopping her own words, broke a startled bitter cry: "_Mon Dieu, c'est Favette!_"