Cecil Castlemaine's Gage, Lady Marabout's Troubles, and Other StoriesOuida
General
Cecil Castlemaine's Gage, Lady Marabout's Troubles, and Other Stories
Ouida
Great Britain -- Social life and customs -- 19th century -- Fiction
Thargélie Dumarsais shrank back in her rose velvet fauteuil as though
the blow of a dagger had struck her; the color fled from her lips, and
underneath the delicate rouge on her cheeks; her hand trembled as it
grasped the King's aigrette.
"Favette--Favette! Who calls me that?"
It was a forgotten name, the name of a bygone life that fell on her ear
with a strange familiar chime, breaking in on the wit, the license, the
laughter of her midnight supper, as the subdued and mournful sound of
vesper bells might fall upon the wild refrains and noisy drinking-songs
of bacchanalian melody.
A surprised silence fell upon the group, the laughter hushed, the voices
stopped; it was a strange interruption for a midnight supper. Thargélie
Dumarsais involuntarily rose, her lips white, her eyes fixed, her hand
clasped convulsively on the King's diamond. A vague, speechless terror
held mastery over her, an awe she could not shake off had fastened upon
her, as though the dead had risen from their graves, and come thither to
rebuke her for the past forgotten, the innocence lost. The roses in her
hair, the flowers of revel, touched a cheek blanched as though she
beheld some unearthly thing, and the hand that lay on the royal jewel
shook and trembled.
"Favette? Favette?" she echoed again. "It is so many years since I heard
that name!"
Her guests sat silent still, comprehending nothing of this single name
which had such power to move and startle her. Richelieu alone, leaning
back in his chair, leisurely picked out one of his brandy-cherries, and
waited as a man waits for the next scene at a theatre:
"Is it an unexpected tragedy, or an arranged comedy, ma chère? Ought one
to cry or to laugh? Give me the _mot d'ordre_!"
His words broke the spell, and called Thargélie Dumarsais back to the
world about her. Actress by profession and by nature, she rallied with a
laugh, putting out her jewelled hand with a languid glance from her long
almond-shaped eyes.
"A friend of early years, my dear Duc, that is all. Ah, Monsieur de
Tallemont what a strange rencontre! When did you come to Paris? I
scarcely knew you at the first moment; you have so long been an exile,
one may pardonably be startled by your apparition, and take you for a
ghost! I suppose you never dreamed of meeting Favette Fontanie under my
_nom de théâtre_? Ah! how we change, do we not, Léon? Time is so short,
we have no time to stand still! Marie, ma chère, give Monsieur le
Chevalier a seat beside you--he cannot be happier placed!"
Léon de Tallemont heard not a word that she spoke; he stood like a man
stunned and paralyzed by a sudden and violent blow, his head bowed, a
mortal pallor changing his face to the hues of death, the features that
were a moment before bright, laughing, and careless, now set in mute and
rigid anguish.
Public-domain text, read in full here on John Shaqi.
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