Cecil Castlemaine's Gage, Lady Marabout's Troubles, and Other StoriesOuida
General
Cecil Castlemaine's Gage, Lady Marabout's Troubles, and Other Stories
Ouida
Great Britain -- Social life and customs -- 19th century -- Fiction
He raised himself with a laugh, but his lips looked white as death as he
drank down a draught of the Hermitage.
"Well! what say you: is the maxim right, _y-a-t-il femmes et femmes_?
Caramba! why need you have pitched upon that portfolio?--There are the
lights in the Acqua d'Oro's palace; we must go, or we shall get into
disgrace."
We went, and Beatrice Acqua d'Oro talked very ardent Italian to him, and
the Comtesse Bois de Sandal remarked to me what a brilliant and
successful man Lord ---- was, but how unimpressionable!--as cold and as
glittering as ice. Nothing had ever made him _feel_, she was quite
certain, pretty complimentary nonsense though he often talked. What
would the Marchesa and the Comtesse have said, I wonder, had I told them
of that little grave under the Pyrenean beech-woods? So much does the
world know of any of us! In the lives of all men are doubled-down pages
written on in secret, folded out of sight, forgotten as they make other
entries in the diary, and never read by their fellows, only glanced at
by themselves in some midnight hour of solitude.
Basta! they are painful reading, my friends. Don't you find them so? Let
us leave the skeletons in the closet, the pictures in the portfolio, the
doubled-down pages in the locked diary, and go to Beatrice Acqua
d'Oro's, where the lights are burning gayly. What is Madame Bois de
Sandal, _née_ Dashwood, singing in the music room?
The tender grace of a day that is dead
Will never come back to me!
That is the burden of many songs sung in this world, for some dead
flowers strew most paths, and grass grows over myriad graves, and many
leaves are folded down in many lives, I fear. And--retrospection is very
idle, my good fellow, and regret is as bad as the tic, and flirting is
deucedly pleasant; the white Hermitage we drank to-night is gone, we
know, but are there no other bottles left of wine every whit as good?
Shall we waste our time sighing after spilt lees? Surely not. And
yet--ah me!--the dead fragrance of those vines that yielded us the
golden nectar of our youth!
THE BEAUTY OF VICQ D'AZYR;
OR,
"NOT AT ALL A PROPER PERSON."
Public-domain text, read in full here on John Shaqi.
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