Cecil Castlemaine's Gage, Lady Marabout's Troubles, and Other StoriesOuida
General
Cecil Castlemaine's Gage, Lady Marabout's Troubles, and Other Stories
Ouida
Great Britain -- Social life and customs -- 19th century -- Fiction
"Ma foi, monsieur! it is you who may reproach yourself, not I," cried
his hearer, insolently. "Are you so very provincial still, that you are
ignorant that when a lover has ceased to please he has to blame his own
lack of power to retain any love he may have won, and is far too
well-bred to utter a complaint? Your language is very new to me. Most
men, monsieur, would be grateful for my slightest preference; I permit
none to rebuke me for either giving or withdrawing it."
The eyes of Madame la Marquise sparkled angrily, and the smile on her
lips was a deadly one, full of irony, full of malice. As he beheld it,
the scales fell at last from the eyes of Gaston de Launay, and he saw
what this woman was whom he had worshipped with such mad, blind,
idolatrous passion.
He bowed his head with a low, broken moan, as a man stunned by a mortal
blow; while Madame la Marquise stood playing with the pearl-and-coral
chain, and smiling the malicious and mischievous smile that showed her
white teeth, as they are shown in the portrait by Mignard.
"_Comme les hommes sont fous!_" laughed Madame la Marquise.
He lifted his eyes, and looked at her as she stood in the faint light of
the dawn, with her rich dress, her gleaming diamonds, her wicked smile,
her matchless beauty; and the passion in him broke out in a bitter cry:
"God help me! My sin has brought home its curse!"
He bent over her, his burning lips scorching her own like fire, holding
her in one last embrace, that clasped her in a vice of iron she had no
power to break.
"Angel! devil! temptress! _This_ for what I have deemed thee--_that_ for
what thou art!"
He flung her from him with unconscious violence, and left her--lying
where she fell.
* * * * *
The gray silvery dawn rose, and broke into the warmth and sunlight of a
summer day; the deer nestled in their couches under the chequered
shadows of the woodlands round, and the morning chimes were rung in
musical carillons from the campanile of the château; the Provence roses
tossed their delicate heads, joyously shaking the dew off their scented
petals; the blossoms of the limes fell in a fragrant shower on the turf
below, and the boughs, swayed softly by the wind, brushed their leaves
against the sparkling waters of the fountains; the woods and gardens of
Petite Forêt lay, bright and laughing, in the mellow sunlight of the
new day to which the world was waking. And with his face turned up to
the sky, clasped in his hand a medallion enamel on which was painted the
head of a woman, the grass and ferns where he had fallen stained crimson
with his life-blood, lay a dead man, while in his bosom nestled a little
dog, moaning piteous, plaintive cries, and vainly seeking its best to
wake him to the day that for him would never dawn.
Public-domain text, read in full here on John Shaqi.
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