Cecil Castlemaine's Gage, Lady Marabout's Troubles, and Other StoriesOuida
General
Cecil Castlemaine's Gage, Lady Marabout's Troubles, and Other Stories
Ouida
Great Britain -- Social life and customs -- 19th century -- Fiction
"Fine!" I reiterated, bursting into a panegyric, with which I won't bore
you as I bored him.
"Well, you're going there to-night, you say; take me with you, and we'll
see what I think of your Marchioness."
I looked at his fine figure and features, recalled certain tales of his
conquests, remembered that he knew French, Italian, German, and Spanish,
but, not being very able to refuse, acquiesced with a reluctance I could
not entirely conceal. Conran, however, did not perceive it, and after
mess took his cap, and went with me to the Casa di Fiori.
The rooms were all right again, my Marchioness was _en grande tenue_,
amber silk, black lace, diamonds, and all that sort of style. Fitzhervey
and the other men were in evening dress, drinking coffee; there was not
a trace of bottled porter anywhere, and it was all very brilliant and
presentable. The Marchioness St. Julian rose with the warmest effusion,
her dazzling white teeth showing in the sunniest of smiles, and both
hands outstretched.
"Augustus, _bien aimé_, you are rather----"
"Late," I suppose she was going to say, but she stopped dead short, her
teeth remained parted in a stereotyped smile, a blankness of dismay came
over her luminous eyes. She caught sight of Conran, and I imagined I
heard a very low-breathed "Curse the fellow!" from courteous Lord Dolph.
Conran came forward, however, as if he did not notice it; there was only
that queer smile lurking under his moustaches. I introduced him to them,
and the Marchioness smiled again, and Fitzhervey almost resumed his
wonted extreme urbanity. But they were somehow or other wonderfully ill
at ease--wonderfully, for people in such high society; and I was ill at
ease too, from being only able to attribute Eudoxia Adelaida's evident
consternation at the sight of Conran to his having been some time or
other an old love of hers. "Ah!" thought I, grinding my teeth, "that
comes of loving a woman older than one's self."
The Major, however, seemed the only one who enjoyed himself. The
Marchioness was beaming on him graciously, though her ruffled feathers
were not quite smoothed down, and he was sitting by her with an intense
amusement in his eyes, alternately talking to her about Stars and
Garters, whom, by her answers, she did not seem to know so very
intimately after all, and chatting with Fitzhervey about hunting, who,
for a man that had hunted over every country, according to his own
account, seemed to confuse Tom Edge with Tom Smith, the Burton with the
Tedworth, a bullfinch with an ox-rail, in queer style, under Conran's
cross-questioning. We had been in the room about ten minutes, when a
voice, rich, low, sweet, rang out from some inner room, singing the
glorious "Inflammatus." How strange it sounded in the Casa di Fiori!
Conran started, the dark blood rose over the clear bronze of his cheek.
He turned sharply on to the Marchioness. "Good Heaven! whose voice is
that?"
Public-domain text, read in full here on John Shaqi.
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