Cecil Castlemaine's Gage, Lady Marabout's Troubles, and Other StoriesOuida
General
Cecil Castlemaine's Gage, Lady Marabout's Troubles, and Other Stories
Ouida
Great Britain -- Social life and customs -- 19th century -- Fiction
The country was in its glad green midsummer beauty, and the
musk-rosebuds bloomed in profuse luxuriance over the chill marble of the
terraces, and scattered their delicate odorous petals in fragrant
showers on the sward of the lawns, when Cecil Castlemaine came down to
what she termed her exile. The morning was fair and cloudless, its
sunbeams piercing through the darkest glades in the woodlands, the
thickest shroud of the ivy, the deepest-hued pane of the mullioned
windows, as she passed down the great staircase where lords and
gentlewomen of her race gazed on her from the canvas of Lely and
Jamesone, Bourdain and Vandyke, crossed the hall with her dainty step,
so stately yet so light, and standing by the window of her own
bower-room, was lured out on to the terrace overlooking the west side of
the park.
She made such a picture as Vandyke would have liked to paint, with her
golden glow upon her, and the musk-roses clustering about her round the
pilasters of marble--the white chill marble to which Belamour and many
other of her lovers of the court and town had often likened her. Vandyke
would have lingered lovingly on the hand that rested on her stag-hound's
head, would have caught her air of court-like grace and dignity, would
have painted with delighted fidelity her deep azure eyes, her proud
brow, her delicate lips arched haughtily like a cupid's bow, would have
picked out every fold of her sweeping train, every play of light on her
silken skirts, every dainty tracery of her point-lace. Yet even painted
by Sir Anthony, that perfect master of art and of elegance, though more
finished it could have hardly been more faithful, more instinct with
grace, and life, and dignity, than a sketch drawn of her shortly after
that time by one who loved her well, which is still hanging in the
gallery at Lilliesford, lighted up by the afternoon sun when it streams
in through the western windows.
Cecil Castlemaine stood on the terrace looking over the lawns and
gardens through the opening vistas of meeting boughs and interlaced
leaves to the woods and hills beyond, fused in a soft mist of green and
purple, with her hand lying carelessly on her hound's broad head. She
was a zealous Tory, a skilled politician, and her thoughts were busy
with the hopes and fears, the chances for and against, of a cause that
lay near her heart, but whose plans were yet immature, whose first blow
was yet unstruck, and whose well-wishers were sanguine of a success they
had not yet hazarded, though they hardly ventured to whisper to each
other their previous designs and desires. Her thoughts were far away,
and she hardly heeded the beauty round her, musing on schemes and
projects dear to her party, that would imperil the Castlemaine coronet
but would serve the only royal house the Castlemaine line had ever in
their hearts acknowledged.
Public-domain text, read in full here on John Shaqi.
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