"I would gladly stay if I could help you."
"Can any one help me, I wonder?" She went slowly back to the fire and
sat down upon the fender-stool, and resting her chin upon her hand, and
looking dreamily before her, repeated--
"Can any one help me, I wonder?"
I sat down on a chair near her and said--
"Do you think it would help you to talk of what has frightened you?"
"I don't think I can. I would tell you, Mr. Lyndsay, if I could tell any
one; for you know what it is to be weak and suffering; you are as
sympathetic as a woman, and more merciful than some women. But part of
the horror of it all is that I cannot explain it. Words seem to be no
good, just because I have used them so easily and so meaninglessly all
my life--just as words and nothing more."
"Can you tell me what you saw?"
"A face, only a face, when I woke up suddenly. It looked as if it were
painted on the darkness. But oh, the dreadfulness of it and what it
brought with it! Do you remember the line, 'Bring with you airs from
heaven or blasts from hell'? Yes, it was in hell, because hell is not a
great gulf, like Dante described, as I used to think; it is no place at
all--it is something we make ourselves. I felt all this as I saw the
face, for we ourselves are not what we think. Part of what I used to
play with was true enough; it is all Mâyâ, a delusion, this
sense--life--it is no life at all. The actual life is behind, under it
all; it goes deep deep down, it stretches on, on--and yet it has nothing
to do with space or time. I feel as if I were beating myself against a
stone wall. My words can have no sense for you any more than they would
have had for me yesterday."
"But tell me, why should this discovery of this other life make you so
miserable?"
"Oh, because it brings such a want with it. How can I explain? It is
like a poor wretch stupefied with drink. Don't you know the poor
creatures in the Eastend sometimes drink just that they may not feel how
hungry and how cold they are? 'They remember their misery no more.' Is
the life of the world and of outward things like that, if we live too
much in it? I used to be so contented with it all--its pleasures, its
little triumphs, even its gossip; and what I called my aspirations I
satisfied with what was nothing more than phrases. And now I have found
my real self, now I am awake, I want much more, and there is
nothing--only a great silence, a great loneliness like that in the
face. And the theories I talked about are no comfort any more; they are
just what pretty speeches would be to a person in torture. Oh, Mr.
Lyndsay, I always feel that you are real, that you are good; tell me
what you know. Is there nothing but this dark void beyond when life
falls away from us?"
She lifted towards me a face quivering with excitement, and eyes that
waited wild and famished for my answer--the answer I had not for her,
and then indeed I tasted the full bitterness of the cup of unbelief.
Public-domain text, read in full here on John Shaqi.
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